| Frida Kahlo portraits, e.g |
Universal |
27 Jun 2022 |
| "Wherefore ___ thou ..." |
Family Time |
26 Jun 2022 |
| Impressionist's skill |
Universal |
23 Jun 2022 |
| Butter sculptures, for example |
USA Today |
22 Jun 2022 |
| Creative work |
Newsday |
19 Jun 2022 |
| Calligraffiti, e.g |
USA Today |
17 Jun 2022 |
| Arthur, for short |
Canadiana |
13 Jun 2022 |
| 'But is it ___?' |
New York Times |
06 Jun 2022 |
| Poetry or painting |
USA Today |
31 May 2022 |
| Museum collection |
LA Times Daily |
31 May 2022 |
| Are, way old |
Family Time |
30 May 2022 |
| Fine print, e.g |
LA Times Daily |
29 May 2022 |
| Gallery display |
Eugene Sheffer |
24 May 2022 |
| Class with easels |
LA Times Daily |
23 May 2022 |
| Gallery fill |
Thomas Joseph |
23 May 2022 |
| Graffiti or sculpture |
USA Today |
19 May 2022 |
| Apt name for a painter |
USA Today |
16 May 2022 |
| Mosaics and murals, for example |
USA Today |
10 May 2022 |
| Fitting name for a sculptor? |
Universal |
06 May 2022 |
| Curator's focus |
Eugene Sheffer |
05 May 2022 |
| Works in a studio |
Wall Street Journal |
05 May 2022 |
| Craft |
The Telegraph Quick |
03 May 2022 |
| Word after "fine" or "folk" |
Universal |
02 May 2022 |
| Job in the abbey starting off for crafty type |
Irish Times Crosaire |
30 Apr 2022 |
| Gallery fill |
Thomas Joseph |
25 Apr 2022 |
| Renwick Gallery fare |
The Washington Post Sunday |
24 Apr 2022 |
| Sculpture or painting |
Newsday |
18 Apr 2022 |
| Class with colored chalk |
Family Time |
17 Apr 2022 |
| Imaginative works |
Newsday |
14 Apr 2022 |
| Sculpture or portrait |
Newsday |
13 Apr 2022 |
| Gallery fill |
Thomas Joseph |
12 Apr 2022 |
| Verb after "thou" |
Universal |
06 Apr 2022 |
| Gallery array |
Newsday |
03 Apr 2022 |
| Gallery hangings |
The Washington Post |
28 Mar 2022 |
| Gallery hangings |
LA Times Daily |
28 Mar 2022 |
| Illustrations |
Eugene Sheffer |
23 Mar 2022 |
| Display on museum walls |
Newsday |
22 Mar 2022 |
| Trickery |
Thomas Joseph |
22 Mar 2022 |
| It's put on display |
Universal |
21 Mar 2022 |
| Class that can get quite messy |
Family Time |
21 Mar 2022 |
| Contents of many museums |
Universal |
18 Mar 2022 |
| Curator's concern |
Eugene Sheffer |
17 Mar 2022 |
| The most beautiful deception of all, per Debussy |
Universal |
13 Mar 2022 |
| Origami or pottery, e.g |
The Washington Post Sunday |
13 Mar 2022 |
| Allen Sapp output |
Canadiana |
07 Mar 2022 |
| Curator's concern |
Newsday |
06 Mar 2022 |
| Gallery work |
Premier Sunday |
27 Feb 2022 |
| "___ is not what you see, but what you make others see" (Degas) |
Universal |
23 Feb 2022 |
| Draw in a museum |
Wall Street Journal |
22 Feb 2022 |
| 'Maus' graphic novelist Spiegelman |
USA Today |
21 Feb 2022 |
| It may be abstract |
Universal |
21 Feb 2022 |
| Glassblowing, e.g |
Universal |
13 Feb 2022 |
| Chinese calligraphy, e.g |
USA Today |
13 Feb 2022 |
| Skill |
Thomas Joseph |
11 Feb 2022 |
| State of the ___ |
Universal |
10 Feb 2022 |
| What life imitates |
Wall Street Journal |
09 Feb 2022 |
| Class with easels |
The Washington Post |
08 Feb 2022 |
| Class with easels |
LA Times Daily |
08 Feb 2022 |
| Museum display |
Eugene Sheffer |
01 Feb 2022 |
| Arthur, for short |
Canadiana |
31 Jan 2022 |
| Creative pursuit |
Newsday |
30 Jan 2022 |
| Aesthetic interest |
Premier Sunday |
30 Jan 2022 |
| Gallery fill |
Thomas Joseph |
24 Jan 2022 |
| 'The most astonishing activity of mankind born out of struggle between wisdom and madness,' per Magdalena Abakanowicz |
The Washington Post Sunday |
23 Jan 2022 |
| Job in the abbey starting off for crafty type |
Irish Times Crosaire |
22 Jan 2022 |
| Part of MoMA |
The Washington Post |
17 Jan 2022 |
| Part of MoMA |
LA Times Daily |
17 Jan 2022 |
| Apt name for a sculptor |
Wall Street Journal |
11 Jan 2022 |
| Graffiti, to some |
Universal |
07 Jan 2022 |
| Choreography or painting |
USA Today |
04 Jan 2022 |
| "___ is meant to disturb, science reassures" |
Universal |
02 Jan 2022 |
| Wall flowers, maybe? |
Wall Street Journal |
29 Dec 2021 |
| Word before film and after clip |
New York Times |
26 Dec 2021 |
| Woodcuts and watercolors |
Wall Street Journal |
13 Dec 2021 |
| Gallery fill |
Thomas Joseph |
13 Dec 2021 |
| Museum focus |
LA Times Daily |
12 Dec 2021 |
| Child's macaroni creation |
Universal |
11 Dec 2021 |
| __ museum |
LA Times Daily |
08 Dec 2021 |
| Still lifes, e.g |
Premier Sunday |
05 Dec 2021 |
| It's found in "apartments" |
Universal |
05 Dec 2021 |
| Word after "fine" or "folk" |
Universal |
27 Nov 2021 |
| Gallery display |
Wall Street Journal |
24 Nov 2021 |
| Refined oil product? |
New York Times |
20 Nov 2021 |
| Louvre treasures |
Eugene Sheffer |
10 Nov 2021 |
| Linocuts and such |
New York Times |
30 Oct 2021 |
| Works on walls |
Thomas Joseph |
21 Oct 2021 |
| Gallery showing |
Wall Street Journal |
18 Oct 2021 |
| Museum display |
Eugene Sheffer |
15 Oct 2021 |
| Museum focus |
Thomas Joseph |
13 Oct 2021 |
| Music or dance |
The Washington Post |
11 Oct 2021 |
| Music or dance |
LA Times Daily |
11 Oct 2021 |
| Part of MOMA |
Universal |
11 Oct 2021 |
| 'The magic mirror you make to reflect your invisible dreams in visible pictures,' per George Bernard Shaw |
The Washington Post Sunday |
10 Oct 2021 |
| Gallery display |
Eugene Sheffer |
07 Oct 2021 |
| Stuff made in the 1600s that you can see today |
Family Time |
03 Oct 2021 |
| Decorative wall hangings |
Newsday |
03 Oct 2021 |
| Gallery display |
Wall Street Journal |
28 Sep 2021 |
| Paintings and sculptures |
New York Times |
27 Sep 2021 |
| Museum focus |
Thomas Joseph |
24 Sep 2021 |
| Display at the Getty |
New York Times |
22 Sep 2021 |
| ___ gallery |
USA Today |
22 Sep 2021 |
| Sculpture or mural |
Newsday |
14 Sep 2021 |
| Paintings on a wall, for instance |
LA Times Daily |
13 Sep 2021 |
| Paintings on a wall, for instance |
The Washington Post |
13 Sep 2021 |
| Gee's Bend quilts, e.g |
USA Today |
13 Sep 2021 |
| Gallery fill |
Thomas Joseph |
06 Sep 2021 |
| Grade school class with crayons |
New York Times |
30 Aug 2021 |
| Critic's concern |
Thomas Joseph |
28 Aug 2021 |
| Curator's concern |
Thomas Joseph |
27 Aug 2021 |
| Trickery |
Thomas Joseph |
26 Aug 2021 |
| 'A jealous mistress,' per Emerson |
New York Times |
26 Aug 2021 |
| Museum focus |
Thomas Joseph |
24 Aug 2021 |
| Illustrations |
Eugene Sheffer |
21 Aug 2021 |
| Forger's domain |
Universal |
19 Aug 2021 |
| Creative knack |
Newsday |
19 Aug 2021 |
| Pursuit requiring subjects |
Newsday |
14 Aug 2021 |
| Skill |
Thomas Joseph |
13 Aug 2021 |
| ''Everything in life is __'': Duchamp |
Newsday |
13 Aug 2021 |
| Curator's concern |
Newsday |
11 Aug 2021 |
| Gallery fill |
Thomas Joseph |
05 Aug 2021 |
| Works in a studio |
Wall Street Journal |
05 Aug 2021 |
| Passion of 48 Across |
Canadiana |
02 Aug 2021 |
| Museum focus |
Thomas Joseph |
27 Jul 2021 |
| Curator's concern |
Eugene Sheffer |
23 Jul 2021 |
| Aesthete's interest |
Newsday |
22 Jul 2021 |
| Tom Thomson output |
Canadiana |
19 Jul 2021 |
| Exhibit works |
Premier Sunday |
18 Jul 2021 |
| Work on a wall, say |
Wall Street Journal |
15 Jul 2021 |
| Gallery fill |
Thomas Joseph |
12 Jul 2021 |
| A magnificent painting, say |
Family Time |
11 Jul 2021 |
| Forger's focus, maybe |
The Washington Post |
10 Jul 2021 |
| Graffiti, e.g |
Universal |
10 Jul 2021 |
| Forger's focus, maybe |
LA Times Daily |
10 Jul 2021 |
| It may be fine |
Wall Street Journal |
07 Jul 2021 |
| Finger-painter's output |
Family Time |
05 Jul 2021 |
| Word with film or form |
The Washington Post |
02 Jul 2021 |
| Word with film or form |
LA Times Daily |
02 Jul 2021 |
| Part of MoMA |
Premier Sunday |
27 Jun 2021 |
| 'It's more of an ___ than a science' |
USA Today |
17 Jun 2021 |
| Word after 'body' or 'modern' |
USA Today |
15 Jun 2021 |
| 'The only way to run away without leaving home,' per Twyla Tharp |
New York Times |
10 Jun 2021 |
| Murals and sculptures, for example |
Wall Street Journal |
07 Jun 2021 |
| Trickery |
Thomas Joseph |
05 Jun 2021 |
| Gallery fill |
Thomas Joseph |
04 Jun 2021 |
| Works at the Louvre |
Universal |
27 May 2021 |
| Bronze busts, e.g |
Universal |
23 May 2021 |
| Works on walls |
The Washington Post |
19 May 2021 |
| Watercolors and such |
Universal |
19 May 2021 |
| Works on walls |
LA Times Daily |
19 May 2021 |
| Museum display |
Eugene Sheffer |
12 May 2021 |
| Oil field? |
The Washington Post |
11 May 2021 |
| Oil field? |
LA Times Daily |
11 May 2021 |
| Lady Aiko's field |
USA Today |
10 May 2021 |
| Workmanship |
LA Times Daily |
09 May 2021 |
| Aesthete's interest |
New York Times |
09 May 2021 |
| Workmanship |
The Washington Post |
09 May 2021 |
| Met display |
Wall Street Journal |
08 May 2021 |
| Gallery display |
Eugene Sheffer |
08 May 2021 |
| Sunflower oil, perhaps? |
Universal |
07 May 2021 |
| Valuable oil, say |
The Washington Post |
05 May 2021 |
| Skill |
The Telegraph Quick |
05 May 2021 |
| Valuable oil, say |
LA Times Daily |
05 May 2021 |
| Renoir's skill |
Premier Sunday |
02 May 2021 |
| Sketchy class? |
Family Time |
02 May 2021 |
| Works on the wall |
Newsday |
02 May 2021 |
| Works of Sartre |
The Sun Two Speed |
01 May 2021 |
| Skill or knack |
The Sun Two Speed |
01 May 2021 |
| Origami or manga |
USA Today |
29 Apr 2021 |
| Painting class |
Family Time |
26 Apr 2021 |
| Works on walls |
Wall Street Journal |
22 Apr 2021 |
| A word with thou |
New York Times |
17 Apr 2021 |
| Ink wash painting, e.g |
USA Today |
14 Apr 2021 |
| National Museum of African ___ |
USA Today |
12 Apr 2021 |
| Works in a gallery |
Wall Street Journal |
10 Apr 2021 |
| Nude scene? |
The Washington Post Sunday |
04 Apr 2021 |
| Museum focus |
Thomas Joseph |
31 Mar 2021 |
| "But is it ___?" |
Universal |
28 Mar 2021 |
| Jade carving, e.g |
USA Today |
28 Mar 2021 |
| Part of MOMA |
Universal |
26 Mar 2021 |
| Frida Kahlo's specialty |
Universal |
22 Mar 2021 |
| Forte for Agnes Martin, aptly contained in AGNES MARTIN |
The Washington Post Sunday |
21 Mar 2021 |
| Class with smocks |
Family Time |
21 Mar 2021 |
| Word before "car" or "dealer" |
Universal |
17 Mar 2021 |
| Aesthetic skill |
Newsday |
14 Mar 2021 |
| Word with fine or found |
New York Times |
11 Mar 2021 |
| Curator's concern |
Newsday |
10 Mar 2021 |
| Illustrations |
Eugene Sheffer |
10 Mar 2021 |
| Works in a gallery |
Universal |
08 Mar 2021 |
| Illustrative material |
Newsday |
06 Mar 2021 |
| Field with landscapes |
Universal |
06 Mar 2021 |
| Kahlo’s field |
Wall Street Journal |
02 Mar 2021 |
| Murals or portraits |
USA Today |
14 Feb 2021 |
| Class with clay |
Family Time |
07 Feb 2021 |
| Practical skill |
The Times Concise |
05 Feb 2021 |
| Curator’s concern |
Wall Street Journal |
30 Jan 2021 |
| Louvre collection |
Eugene Sheffer |
25 Jan 2021 |
| Cunning schemes |
The Sun Two Speed |
23 Jan 2021 |
| Works in molecular theory |
The Sun Two Speed |
23 Jan 2021 |
| An oil, maybe |
New York Times |
20 Jan 2021 |
| Gallery stuff |
Premier Sunday |
17 Jan 2021 |
| Curator's concern |
Eugene Sheffer |
12 Jan 2021 |
| The 'A' in MoMA |
The Washington Post |
05 Jan 2021 |
| The "A" in MoMA |
LA Times Daily |
05 Jan 2021 |
| Museum purchase |
Family Time |
04 Jan 2021 |
| '___ is not living. It is the use of living' (Audre Lorde) |
USA Today |
04 Jan 2021 |
| Kid's refrigerator display |
New York Times |
27 Dec 2020 |
| A beautiful statue, for example |
Family Time |
27 Dec 2020 |
| The Metropolitan Museum of ___ |
Universal |
26 Dec 2020 |
| J. Paul Getty Museum attraction |
Family Time |
21 Dec 2020 |
| Musical Garfunkel |
The Washington Post Sunday |
20 Dec 2020 |
| Origami, e.g |
USA Today |
20 Dec 2020 |
| Mural or sculpture |
Newsday |
14 Dec 2020 |
| It can involve painting |
Family Time |
13 Dec 2020 |
| Dance, e.g |
USA Today |
07 Dec 2020 |
| Museum collection |
LA Times Daily |
01 Dec 2020 |
| Museum collection |
The Washington Post |
01 Dec 2020 |
| Life is short and this is long, per Hippocrates |
New York Times |
30 Nov 2020 |
| The 'A' of MoMA |
New York Times |
24 Nov 2020 |
| Apt name for a painter |
USA Today |
23 Nov 2020 |
| Witchcraft |
The Washington Post Sunday |
22 Nov 2020 |
| Curator's focus |
Eugene Sheffer |
19 Nov 2020 |
| Works in Dartmouth |
The Sun Two Speed |
18 Nov 2020 |
| “The ___ of War” |
Wall Street Journal |
17 Nov 2020 |
| 'Life beats down and crushes the soul, and ___ reminds you that you have one': Stella Adler |
New York Times |
17 Nov 2020 |
| Field of Frida Kahlo or El Greco |
New York Times |
16 Nov 2020 |
| Frida Kahlo's field |
The Washington Post Sunday |
15 Nov 2020 |
| It may be framed |
Universal |
09 Nov 2020 |
| Tate Modern collection |
The Washington Post |
05 Nov 2020 |
| Tate Modern collection |
LA Times Daily |
05 Nov 2020 |
| Graphics |
Canadiana |
02 Nov 2020 |
| Gallery offering |
Jonesin |
27 Oct 2020 |
| Focus for some collectors |
LA Times Daily |
23 Oct 2020 |
| Focus for some collectors |
The Washington Post |
23 Oct 2020 |
| Poetic verb |
The Washington Post |
21 Oct 2020 |
| Poetic verb |
LA Times Daily |
21 Oct 2020 |
| Products of creativity |
Irish Times Simplex |
15 Oct 2020 |
| Works at a museum |
Wall Street Journal |
14 Oct 2020 |
| Wood work, e.g.? |
The Washington Post Sunday |
11 Oct 2020 |
| Real piece of work? |
New York Times |
10 Oct 2020 |
| Museum display |
LA Times Daily |
28 Sep 2020 |
| Museum display |
The Washington Post |
28 Sep 2020 |
| 'This Is What I Know About ___' (Kimberly Drew book) |
USA Today |
28 Sep 2020 |
| 'The Earth without ___ is just 'eh'' |
USA Today |
24 Sep 2020 |
| Many auction items |
Newsday |
24 Sep 2020 |
| Pictures and such |
Universal |
21 Sep 2020 |
| Kara Walker's field |
USA Today |
20 Sep 2020 |
| State-of-the-___ |
USA Today |
18 Sep 2020 |
| Creative field |
Universal |
15 Sep 2020 |
| Elementary school class |
Newsday |
10 Sep 2020 |
| 'Falsehood can hold out against much in this world, but not against ___': Solzhenitsyn |
New York Times |
08 Sep 2020 |
| Word after 'performance' or 'latte' |
USA Today |
24 Aug 2020 |
| Creative class |
New York Times |
23 Aug 2020 |
| Part of MoMA |
USA Today |
21 Aug 2020 |
| Word after latte or lost |
Universal |
18 Aug 2020 |
| 'If ___ doesn't make us better, then what on earth is it for?': Alice Walker |
New York Times |
18 Aug 2020 |
| Visual communication |
Canadiana |
17 Aug 2020 |
| It may be put on a pedestal |
Wall Street Journal |
13 Aug 2020 |
| Thomson and Carr concern |
Canadiana |
03 Aug 2020 |
| Paintings and such |
The Washington Post |
28 Jul 2020 |
| Paintings and such |
LA Times Daily |
28 Jul 2020 |
| 'The one way possible of speaking truth': Browning |
The Washington Post |
25 Jul 2020 |
| "The one way possible of speaking truth": Browning |
LA Times Daily |
25 Jul 2020 |
| Expensive stuff on a wall |
Family Time |
20 Jul 2020 |
| Works in a salon |
Wall Street Journal |
16 Jul 2020 |
| Creative major |
Universal |
27 Jun 2020 |
| Subject with many projects |
Universal |
23 Jun 2020 |
| Creative works; knack |
The Times Concise |
22 Jun 2020 |
| Apt word within "cartooning" |
Universal |
19 Jun 2020 |
| What curators curate |
New York Times |
16 Jun 2020 |
| Creative field |
Wall Street Journal |
04 Jun 2020 |
| Topping for some lattes |
USA Today |
04 Jun 2020 |
| Gallery stuff |
USA Today |
02 Jun 2020 |
| Output from Frida Kahlo or Mary Cassatt |
Jonesin |
26 May 2020 |
| Certain high school class |
Family Time |
24 May 2020 |
| Often-framed work |
Universal |
22 May 2020 |
| Michelangelo’s field |
Wall Street Journal |
18 May 2020 |
| Gallery stuff |
Jonesin |
12 May 2020 |
| Word before glass or house |
New York Times |
09 May 2020 |
| Word after 'concept' or 'conceptual' |
USA Today |
08 May 2020 |
| Works in a museum |
Wall Street Journal |
06 May 2020 |
| 'The proper task of life,' per Nietzsche |
New York Times |
01 May 2020 |
| Objects of appreciation? |
Universal |
29 Apr 2020 |
| Murals and such |
USA Today |
27 Apr 2020 |
| Murals or sculptures |
Universal |
22 Apr 2020 |
| Imitates life? |
Canadiana |
20 Apr 2020 |
| Collages, for instance |
Newsday |
16 Apr 2020 |
| Works in a studio |
Wall Street Journal |
15 Apr 2020 |
| Calligraphy, e.g |
Universal |
13 Apr 2020 |
| Body __ |
LA Times Daily |
12 Apr 2020 |
| Body __ |
The Washington Post |
12 Apr 2020 |
| Intriguing discovery in a cave |
New York Times |
09 Apr 2020 |
| Creative endeavor |
Wall Street Journal |
25 Mar 2020 |
| Museum subject |
Thomas Joseph |
17 Mar 2020 |
| Portrait or sculpture |
Newsday |
16 Mar 2020 |
| "A lie that makes us realize truth," per Picasso |
LA Times Daily |
12 Mar 2020 |
| Displays on walls |
Newsday |
12 Mar 2020 |
| 'A lie that makes us realize truth,' per Picasso |
The Washington Post |
12 Mar 2020 |
| What MoMA knows best? |
New York Times |
11 Mar 2020 |
| Fridge decoration |
Universal |
04 Mar 2020 |
| Works in a gallery |
New York Times |
03 Mar 2020 |
| Frame works? |
Family Time |
01 Mar 2020 |
| Exhibits at an exhibition |
New York Times |
28 Feb 2020 |
| Works in Dumbarton |
The Sun Two Speed |
15 Feb 2020 |
| Creative works |
The Sun Two Speed |
15 Feb 2020 |
| The "A" of MoMA |
|
|
| Museum works |
LA Times Daily |
02 Feb 2020 |
| Museum works |
The Washington Post |
02 Feb 2020 |
| "Maus" cartoonist Spiegelman |
The New Yorker |
27 Jan 2020 |
| Kimberly Drew's field |
USA Today |
06 Jan 2020 |
| Mobiles and murals, for example |
Wall Street Journal |
06 Jan 2020 |
| First verb in the Lord's Prayer |
|
|
| 'Drawing is the honesty of the ___. There is no possibility of cheating. It is either good or bad.': Dalí |
The Washington Post Sunday |
29 Dec 2019 |
| Cunning |
Wall Street Journal |
21 Dec 2019 |
| Statuary, for instance |
Newsday |
20 Dec 2019 |
| Without which earth is just "eh"? |
|
|
| Without which earth is just 'eh'? |
New York Times |
17 Dec 2019 |
| Basquiat made it |
USA Today |
09 Dec 2019 |
| Dance, e.g |
LA Times Daily |
30 Nov 2019 |
| Dance, e.g |
The Washington Post |
30 Nov 2019 |
| Guggenheim holdings |
New York Times |
25 Nov 2019 |
| Guggenheim holdings |
|
|
| Craft |
Universal |
17 Nov 2019 |
| Skill |
Thomas Joseph |
16 Nov 2019 |
| Museum focus |
Wall Street Journal |
05 Nov 2019 |
| Part of 28-Down |
USA Today |
03 Nov 2019 |
| Wiliness |
New York Times |
31 Oct 2019 |
| Wiliness |
|
|
| Finesse |
LA Times Daily |
27 Oct 2019 |
| Finesse |
The Washington Post |
27 Oct 2019 |
| Gallery stuff |
Family Time |
27 Oct 2019 |
| 'Wherefore — thou Romeo?' |
Thomas Joseph |
25 Oct 2019 |
| It might be framed |
Wall Street Journal |
22 Oct 2019 |
| State-of-the-__ |
LA Times Daily |
21 Oct 2019 |
| State-of-the-__ |
The Washington Post |
21 Oct 2019 |
| Old master's mastery |
The Washington Post Sunday |
20 Oct 2019 |
| Word after "op" or "pop" |
Universal |
19 Oct 2019 |
| Carvings, e.g |
USA Today |
19 Oct 2019 |
| Glassblowing, e.g |
Universal |
15 Oct 2019 |
| Van Gogh's field |
USA Today |
11 Oct 2019 |
| Class for creative sorts |
USA Today |
08 Oct 2019 |
| Humanities major |
LA Times Daily |
07 Oct 2019 |
| Humanities major |
The Washington Post |
07 Oct 2019 |
| “If the world were clear, ____ would not exist” (Albert Camus) |
The Times Specialist Sunday |
06 Oct 2019 |
| Met acquisition |
The Washington Post |
06 Oct 2019 |
| Met acquisition |
LA Times Daily |
06 Oct 2019 |
| Warhol's field |
USA Today |
05 Oct 2019 |
| Technique |
Wall Street Journal |
05 Oct 2019 |
| Ad agency department |
USA Today |
30 Sep 2019 |
| Met displays |
Wall Street Journal |
30 Sep 2019 |
| Works on a wall |
Wall Street Journal |
25 Sep 2019 |
| Much graffiti |
New York Times |
25 Sep 2019 |
| Collages, e.g |
USA Today |
24 Sep 2019 |
| Gallery hangings |
LA Times Daily |
16 Sep 2019 |
| Gallery hangings |
The Washington Post |
16 Sep 2019 |
| Prints and such |
|
|
| Prints and such |
New York Times |
14 Sep 2019 |
| Guggenheim display |
The Washington Post |
09 Sep 2019 |
| Guggenheim display |
LA Times Daily |
09 Sep 2019 |
| Skilful type typical of all sides today |
Irish Times Crosaire |
07 Sep 2019 |
| Work on a wall |
Universal |
05 Sep 2019 |
| Wall hangings |
USA Today |
05 Sep 2019 |
| Tate Modern display |
USA Today |
03 Sep 2019 |
| Gallery offering |
Wall Street Journal |
26 Aug 2019 |
| ''Fine'' creations |
Newsday |
25 Aug 2019 |
| State of the ___ |
Universal |
24 Aug 2019 |
| Prints, e.g |
New York Times |
21 Aug 2019 |
| Forger's area of expertise |
Universal |
20 Aug 2019 |
| Museum holdings |
New York Times |
20 Aug 2019 |
| “The elimination of the unnecessary,” per Picasso |
Wall Street Journal |
17 Aug 2019 |
| 'Science made clear,' per Jean Cocteau |
New York Times |
16 Aug 2019 |
| Mosaics, e.g |
Universal |
15 Aug 2019 |
| Self-portraits and such |
Universal |
14 Aug 2019 |
| Crossword constructing, e.g. (no, really!) |
New York Times |
11 Aug 2019 |
| Sotheby's showing |
The Washington Post |
07 Aug 2019 |
| Livener of an empty wall |
New York Times |
07 Aug 2019 |
| Sotheby's showing |
LA Times Daily |
07 Aug 2019 |
| Humanities major |
Jonesin |
30 Jul 2019 |
| 'Either plagiarism or revolution,' to Gauguin |
USA Today |
30 Jul 2019 |
| PS1 offering |
The New Yorker |
29 Jul 2019 |
| MoMA part |
USA Today |
17 Jul 2019 |
| Critic's topic |
Wall Street Journal |
15 Jul 2019 |
| Busts, e.g |
Universal |
11 Jul 2019 |
| It 'lives from constraints and dies from freedom,' per Leonardo da Vinci |
New York Times |
11 Jul 2019 |
| Tate Modern offering |
USA Today |
07 Jul 2019 |
| Gallery showing |
Jonesin |
02 Jul 2019 |
| Guggenheim display |
USA Today |
22 Jun 2019 |
| Alex's 'Jeopardy!' predecessor |
Jonesin |
18 Jun 2019 |
| Paintings seen in Dumbarton |
The Sun Two Speed |
16 Jun 2019 |
| A retweet from the Louvre |
Irish Times Crosaire |
15 Jun 2019 |
| Louvre filler |
Universal |
28 May 2019 |
| Visual creation |
Canadiana |
20 May 2019 |
| It 'should comfort the disturbed and disturb the comfortable,' according to a saying |
New York Times |
19 May 2019 |
| Work on a wall, maybe |
New York Times |
12 May 2019 |
| Museum contents |
Thomas Joseph |
10 May 2019 |
| Museum attraction |
USA Today |
08 May 2019 |
| Ballet, basketry et al |
USA Today |
06 May 2019 |
| Notoriously hard thing to define |
New York Times |
02 May 2019 |
| Graffiti, to some |
Universal |
25 Apr 2019 |
| Matisse's field |
USA Today |
24 Apr 2019 |
| Collector's collection, perhaps |
Family Time |
21 Apr 2019 |
| Portrait or landscape |
Universal |
16 Apr 2019 |
| Hoppers, e.g |
Newsday |
13 Apr 2019 |
| Louvre contents |
Universal |
10 Apr 2019 |
| Creative works |
Wall Street Journal |
08 Apr 2019 |
| Mobiles and murals |
USA Today |
07 Apr 2019 |
| Gallery fill |
Wall Street Journal |
01 Apr 2019 |
| Paintings, etchings, etc |
The Washington Post |
18 Mar 2019 |
| Paintings, etchings, etc |
LA Times Daily |
18 Mar 2019 |
| Lost ___ |
New York Times |
09 Mar 2019 |
| 'All ___ is a kind of confession, more or less oblique': James Baldwin |
New York Times |
22 Feb 2019 |
| It might be a bust |
Wall Street Journal |
21 Feb 2019 |
| Marbles in museums |
Newsday |
21 Feb 2019 |
| Gallery display |
Family Time |
11 Feb 2019 |
| With 72-Across, 1920s-'30s design style |
Premier Sunday |
10 Feb 2019 |
| Curator's concern |
Thomas Joseph |
09 Feb 2019 |
| Skill |
New York Times |
03 Feb 2019 |
| Gallery display |
Newsday |
30 Jan 2019 |
| Creative high school class |
Family Time |
27 Jan 2019 |
| Monet works |
Premier Sunday |
27 Jan 2019 |
| Cunning |
Newsday |
26 Jan 2019 |
| Curator's topic |
Thomas Joseph |
26 Jan 2019 |
| 'Without tradition, ___ is a flock of sheep without a shepherd': Winston Churchill |
New York Times |
26 Jan 2019 |
| Paintings and sculpture |
Thomas Joseph |
23 Jan 2019 |
| Paintings, sculpture and the like |
Wall Street Journal |
22 Jan 2019 |
| A high school class |
Family Time |
20 Jan 2019 |
| Galsworthy's ''universal refreshment'' |
Newsday |
19 Jan 2019 |
| Cunning |
The Sun Two Speed |
17 Jan 2019 |
| Hotel lobby display |
LA Times Daily |
16 Jan 2019 |
| Hotel lobby display |
The Washington Post |
16 Jan 2019 |
| Creative works |
The Times Concise |
09 Jan 2019 |
| Display on museum walls |
Newsday |
08 Jan 2019 |
| Works in a museum |
New York Times |
06 Jan 2019 |
| Curator's collection |
USA Today |
06 Jan 2019 |
| Gallery focus |
Wall Street Journal |
05 Jan 2019 |
| "Without tradition, ___ is a flock of sheep without a shepherd": Winston Churchill |
|
|
| Sotheby's showing |
|
|
| State-of-the-__ |
|
|
| Gallery fill |
|
|
| Technique |
|
|
| Works on walls |
|
|
| Museum attraction |
|
|
| Paintings, sculpture and the like |
|
|
| Works in a studio |
|
|
| Curator's collection |
|
|
| Part of MoMA |
|
|
| Tate Modern display |
|
|
| It might be framed |
|
|
| Class for creative sorts |
|
|
| Creative works |
|
|
| Portrait or landscape |
|
|
| State of the ___ |
|
|
| Word after "op" or "pop" |
|
|
| Tate Modern offering |
|
|
| Guggenheim display |
|
|
| Works on a wall |
|
|
| Matisse's field |
|
|
| Wall hangings |
|
|
| Latte topper, perhaps |
|
|
| Gallery pieces |
|
|
| Ad agency department |
|
|
| Gallery offering |
|
|
| Museum focus |
|
|
| Van Gogh's field |
|
|
| Gallery focus |
|
|
| Critic's topic |
|
|
| Met displays |
|
|
| Mobiles and murals |
|
|
| MoMA part |
|
|
| Warhol's field |
|
|
| Part of 28-Down |
|
|
| Ballet, basketry et al. |
|
|
| Collages, e.g. |
|
|
| Work on a wall, maybe |
|
|
| "All ___ is a kind of confession, more or less oblique": James Baldwin |
|
|
| Creative major |
|
|
| Crossword constructing, e.g. (no, really!) |
|
|
| Paintings, etchings, etc. |
|
|
| Guggenheim display |
|
|
| It "lives from constraints and dies from freedom," per Leonardo da Vinci |
|
|
| Prints, e.g. |
|
|
| Gallery hangings |
|
|
| Museum holdings |
|
|
| "Science made clear," per Jean Cocteau |
|
|
| Livener of an empty wall |
|
|
| Skill |
|
|
| Works in a museum |
|
|
| Hotel lobby display |
|
|
| Much graffiti |
|
|
| Notoriously hard thing to define |
|
|
| Graffiti, to some |
|
|
| Glassblowing, e.g. |
|
|
| Busts, e.g. |
|
|
| It "should comfort the disturbed and disturb the comfortable," according to a saying |
|
|
| Lost ___ |
|
|
| Carvings, e.g. |
|
|
| Latte topper, perhaps |
USA Today |
01 Jan 2019 |
| It might be a bust |
|
|
| "The elimination of the unnecessary," per Picasso |
|
|
| "Either plagiarism or revolution," to Gauguin |
|
|
| Work on a wall |
|
|
| Self-portraits and such |
|
|
| Mosaics, e.g. |
|
|
| Louvre filler |
|
|
| Louvre contents |
|
|
| Forger's area of expertise |
|
|
| "But is it ___?" |
|
|
| Finesse |
|
|
| __ show |
LA Times Daily |
30 Dec 2018 |
| __ show |
The Washington Post |
30 Dec 2018 |
| Thou follower, often |
The Washington Post |
29 Dec 2018 |
| Knack |
Thomas Joseph |
29 Dec 2018 |
| Thou follower, often |
LA Times Daily |
29 Dec 2018 |
| Biblical verb |
New York Times |
20 Dec 2018 |
| Gallery works |
Jonesin |
18 Dec 2018 |
| More of an ___ than a science |
New York Times |
18 Dec 2018 |
| 'A powerful current that carries a man to a haven,' per van Gogh |
The Washington Post Sunday |
16 Dec 2018 |
| Collector's collection, sometimes |
Family Time |
16 Dec 2018 |
| Creative skill |
Newsday |
09 Dec 2018 |
| Frescoes and murals |
USA Today |
09 Dec 2018 |
| '___ does not surpass nature, but only brings it to perfection': Cervantes |
The Chronicle of Higher Education |
07 Dec 2018 |
| Friar Tuck shows cunning |
The Sun Two Speed |
28 Nov 2018 |
| 'What you can get away with,' according to Andy Warhol |
New York Times |
28 Nov 2018 |
| ___ therapy |
The Washington Post Sunday |
25 Nov 2018 |
| Murals, sculptures, etc |
New York Times |
20 Nov 2018 |
| Visual creations |
Canadiana |
19 Nov 2018 |
| Museum stuff |
Family Time |
18 Nov 2018 |
| Carney of 'The Honeymooners' |
USA Today |
17 Nov 2018 |
| Creative works |
Newsday |
11 Nov 2018 |
| Creative output |
Newsday |
07 Nov 2018 |
| It is 'either plagiarism or revolution,' per Paul Gauguin |
New York Times |
31 Oct 2018 |
| Prado display |
USA Today |
29 Oct 2018 |
| Mobiles and murals, e.g |
USA Today |
27 Oct 2018 |
| It hangs in a museum |
Family Time |
21 Oct 2018 |
| Paintings, sculpture, etc |
The Washington Post |
15 Oct 2018 |
| Paintings, sculpture, etc |
LA Times Daily |
15 Oct 2018 |
| Collages and such |
LA Times Daily |
07 Oct 2018 |
| Collages and such |
The Washington Post |
07 Oct 2018 |
| Museum contents |
Universal |
06 Oct 2018 |
| "The creation of beauty is __": Emerson |
LA Times Daily |
03 Oct 2018 |
| 'The creation of beauty is __': Emerson |
The Washington Post |
03 Oct 2018 |
| It can be a bust |
Universal |
03 Oct 2018 |
| Part of LACMA |
LA Times Daily |
26 Sep 2018 |
| Part of LACMA |
The Washington Post |
26 Sep 2018 |
| Gallery display |
Wall Street Journal |
18 Sep 2018 |
| What's better when it's fine? |
New York Times |
16 Sep 2018 |
| Somerset House display |
Universal |
12 Sep 2018 |
| Prints, paintings and pastels |
Wall Street Journal |
10 Sep 2018 |
| Museum stuff |
Thomas Joseph |
05 Sep 2018 |
| "Are," centuries ago |
Universal |
01 Sep 2018 |
| 'Nature is the ___ of God': Dante |
New York Times |
26 Aug 2018 |
| Film preceder |
Newsday |
25 Aug 2018 |
| Shaw's ''magic mirror'' |
Newsday |
24 Aug 2018 |
| Framed work |
USA Today |
20 Aug 2018 |
| Part of MoMA |
LA Times Daily |
19 Aug 2018 |
| Part of MoMA |
The Washington Post |
19 Aug 2018 |
| Gallery work |
Premier Sunday |
05 Aug 2018 |
| Clear thought shows cunning |
The Sun Two Speed |
01 Aug 2018 |
| Monets and Manets |
USA Today |
29 Jul 2018 |
| Getty oil, e.g |
New York Times |
20 Jul 2018 |
| Hanging decor |
Universal |
17 Jul 2018 |
| Museum hangings |
Family Time |
15 Jul 2018 |
| Technique |
The Sun Two Speed |
12 Jul 2018 |
| Verb with 'thou' |
New York Times |
11 Jul 2018 |
| Graffiti, to some |
USA Today |
08 Jul 2018 |
| Singer Garfunkel |
New York Times |
01 Jul 2018 |
| Bonsai or origami |
USA Today |
01 Jul 2018 |
| Collector's collection |
Family Time |
01 Jul 2018 |
| Expensive pictures |
Universal |
26 Jun 2018 |
| Some busts |
Wall Street Journal |
26 Jun 2018 |
| Creative technique |
Newsday |
22 Jun 2018 |
| Museum filler |
Universal |
22 Jun 2018 |
| Framed works |
LA Times Daily |
19 Jun 2018 |
| Framed works |
The Washington Post |
19 Jun 2018 |
| Museum filler |
The Washington Post |
18 Jun 2018 |
| Museum filler |
LA Times Daily |
18 Jun 2018 |
| Works in Carmarthen |
The Sun Two Speed |
02 Jun 2018 |
| "Wherefore ___ thou ..." |
Universal |
02 Jun 2018 |
| *Tattoos |
LA Times Daily |
01 Jun 2018 |
| *Tattoos |
The Washington Post |
01 Jun 2018 |
| Creative works |
The Washington Post |
27 May 2018 |
| Creative works |
LA Times Daily |
27 May 2018 |
| Op or pop |
Thomas Joseph |
15 May 2018 |
| Sculpture, paintings, etc |
LA Times Daily |
15 May 2018 |
| Sculpture, paintings, etc |
The Washington Post |
15 May 2018 |
| National Gallery attraction |
LA Times Daily |
09 May 2018 |
| National Gallery attraction |
The Washington Post |
09 May 2018 |
| Painting, sculpture and the like |
Wall Street Journal |
07 May 2018 |
| Oil field? |
New York Times |
06 May 2018 |
| Busts, prints, etc |
The Washington Post Sunday |
06 May 2018 |
| Critic's concern |
Wall Street Journal |
03 May 2018 |
| Renoir works |
Premier Sunday |
22 Apr 2018 |
| Co-star of Jackie on "The Honeymooners" |
LA Times Daily |
18 Apr 2018 |
| Co-star of Jackie on 'The Honeymooners' |
The Washington Post |
18 Apr 2018 |
| Gallery exhibit |
Wall Street Journal |
17 Apr 2018 |
| With 1 Down, retro style |
Newsday |
12 Apr 2018 |
| Works on walls? |
Family Time |
08 Apr 2018 |
| Louvre contents |
Thomas Joseph |
07 Apr 2018 |
| 1998 Tony-winning comedy |
Wall Street Journal |
07 Apr 2018 |
| Paintings etc |
The Sun Two Speed |
04 Apr 2018 |
| Word after op or pop |
The Washington Post |
03 Apr 2018 |
| Word after op or pop |
LA Times Daily |
03 Apr 2018 |
| Garfunkel or Blakey |
Universal |
02 Apr 2018 |
| Bust, maybe |
New York Times |
29 Mar 2018 |
| Class with smocks |
LA Times Daily |
20 Mar 2018 |
| Class with smocks |
The Washington Post |
20 Mar 2018 |
| ____ Irwin ( Canuck baseball glove inventor) |
Canadiana |
19 Mar 2018 |
| Pop __ |
LA Times Daily |
14 Mar 2018 |
| Pop __ |
The Washington Post |
14 Mar 2018 |
| With 58 Across, style lending geometric patterns to jewelry |
The Chronicle of Higher Education |
09 Mar 2018 |
| 4-Down contents |
USA Today |
09 Mar 2018 |
| Expertise concealed by McCartney |
Irish Times Crosaire |
03 Mar 2018 |
| Mobiles, stabiles, etc |
USA Today |
03 Mar 2018 |
| Still life, e.g |
New York Times |
28 Feb 2018 |
| Singer Garfunkel |
The Washington Post |
26 Feb 2018 |
| Singer Garfunkel |
LA Times Daily |
26 Feb 2018 |
| Paint or clay creation |
Family Time |
25 Feb 2018 |
| 'The enemy of ___ is the absence of limitations': Orson Welles |
New York Times |
23 Feb 2018 |
| With 55-Across, big sleepover |
New York Times |
18 Feb 2018 |
| Carney of "The Honeymooners" |
USA Today |
18 Feb 2018 |
| Sculptures and mobiles |
Newsday |
07 Feb 2018 |
| Class for the creative |
Family Time |
29 Jan 2018 |
| Klee output |
Premier Sunday |
21 Jan 2018 |
| It may be a bust |
Universal |
17 Jan 2018 |
| Artist's output |
Canadiana |
15 Jan 2018 |
| Paintings, drawings and sculptures |
Family Time |
07 Jan 2018 |
| ''The child of Nature,'' per Longfellow |
Newsday |
06 Jan 2018 |
| 'All ___ is autobiographical': Fellini |
New York Times |
05 Jan 2018 |
| Works at a gallery |
Wall Street Journal |
03 Jan 2018 |
| Sculptures, e.g |
New York Times |
02 Jan 2018 |
| National Gallery attraction |
|
|
| With 55-Across, big sleepover |
|
|
| What's better when it's fine? |
|
|
| Verb with "thou" |
|
|
| Still life, e.g. |
|
|
| Singer Garfunkel |
|
|
| Sculptures, e.g. |
|
|
| Oil field? |
|
|
| Murals, sculptures, etc. |
|
|
| More of an ___ than a science |
|
|
| It is "either plagiarism or revolution," per Paul Gauguin |
|
|
| Getty oil, e.g. |
|
|
| Bust, maybe |
|
|
| Biblical verb |
|
|
| "What you can get away with," according to Andy Warhol |
|
|
| "The enemy of ___ is the absence of limitations": Orson Welles |
|
|
| "Nature is the ___ of God": Dante |
|
|
| "All ___ is autobiographical": Fellini |
|
|
| Bonsai or origami |
|
|
| Carney of "The Honeymooners" |
|
|
| Framed work |
|
|
| Frescoes and murals |
|
|
| Graffiti, to some |
|
|
| Mobiles and murals, e.g. |
|
|
| Monets and Manets |
|
|
| Prado display |
|
|
| Paintings, sculpture, etc. |
|
|
| 1998 Tony-winning comedy |
|
|
| Critic's concern |
|
|
| Gallery display |
|
|
| Gallery exhibit |
|
|
| Painting, sculpture and the like |
|
|
| Prints, paintings and pastels |
|
|
| Some busts |
|
|
| Web designer's major, often |
|
|
| Works in a gallery |
|
|
| Works on walls, say |
|
|
| "Are," centuries ago |
|
|
| "Wherefore ___ thou ..." |
|
|
| Expensive pictures |
|
|
| Garfunkel or Blakey |
|
|
| Hanging decor |
|
|
| It can be a bust |
|
|
| It may be a bust |
|
|
| Museum contents |
|
|
| Museum filler |
|
|
| Somerset House display |
|
|
| "___ does not surpass nature, but only brings it to perfection": Cervantes |
|
|
| With 58 Across, style lending geometric patterns to jewelry |
|
|
| __ show |
|
|
| Works on walls |
|
|
| Word after op or pop |
|
|
| Thou follower, often |
|
|
| Singer Garfunkel |
|
|
| Sculpture, paintings, etc. |
|
|
| Part of MoMA |
|
|
| Part of LACMA |
|
|
| Museum filler |
|
|
| Museum collection |
|
|
| Framed works |
|
|
| Creative works |
|
|
| Collages and such |
|
|
| Co-star of Jackie on "The Honeymooners" |
|
|
| *Tattoos |
|
|
| "The creation of beauty is __": Emerson |
|
|
| "The ___ of the Deal" |
Universal |
23 Dec 2017 |
| LeRoy Neiman's realm |
USA Today |
18 Dec 2017 |
| Wall hangings |
Newsday |
17 Dec 2017 |
| Hotel lobby hangings |
LA Times Daily |
13 Dec 2017 |
| Van Gogh Museum display |
USA Today |
13 Dec 2017 |
| Hotel lobby hangings |
The Washington Post |
13 Dec 2017 |
| Paintings, sculptures, etc |
Newsday |
12 Dec 2017 |
| Work of ___ (38-Across, e.g.) |
New York Times |
12 Dec 2017 |
| Stuff in a museum |
Family Time |
11 Dec 2017 |
| Seascapes, statuary et al |
USA Today |
11 Dec 2017 |
| 'The creation of beauty,' per Ralph Waldo Emerson |
New York Times |
05 Dec 2017 |
| Museum piece |
Family Time |
04 Dec 2017 |
| Lithographs and etchings |
USA Today |
24 Nov 2017 |
| What we have 'in order not to die of the truth,' per Nietzsche |
New York Times |
24 Nov 2017 |
| Calligraphy, e.g |
USA Today |
20 Nov 2017 |
| Topiary or origami |
USA Today |
14 Nov 2017 |
| Warhol's works |
USA Today |
10 Nov 2017 |
| Gallery works |
The Washington Post |
29 Oct 2017 |
| Curator's collection |
Wall Street Journal |
24 Oct 2017 |
| Trump's "The ___ of the Deal" |
USA Today |
14 Oct 2017 |
| Gallery contents |
Universal |
01 Oct 2017 |
| Dealmaking, some say |
New York Times |
27 Sep 2017 |
| Gallery filler |
The Washington Post |
27 Sep 2017 |
| Gallery filler |
LA Times Daily |
27 Sep 2017 |
| ''Wherefore __ thou Romeo?'' |
Newsday |
20 Sep 2017 |
| Manet's forte |
Premier Sunday |
17 Sep 2017 |
| Class with painting |
Family Time |
17 Sep 2017 |
| 'So vast is ___, so narrow human wit': Alexander Pope |
New York Times |
10 Sep 2017 |
| Framed stuff |
Universal |
06 Sep 2017 |
| With 45-Down, some drawing rooms |
New York Times |
30 Aug 2017 |
| Sculpture or painting |
Newsday |
21 Aug 2017 |
| Magazine illustrations |
Newsday |
06 Aug 2017 |
| Works in a salon |
New York Times |
03 Aug 2017 |
| Carney or Garfunkel |
Universal |
27 Jul 2017 |
| Sculptures, e.g |
Newsday |
16 Jul 2017 |
| Watercolor work |
Universal |
15 Jul 2017 |
| With 59-Across, the Chrysler Building's style |
USA Today |
10 Jul 2017 |
| Special talent |
Newsday |
30 Jun 2017 |
| Valuable collection, for some |
Universal |
25 Jun 2017 |
| This puzzle's theme you can get behind |
Universal |
19 Jun 2017 |
| '___ does not surpass nature, but only brings it to perfection': Cervantes |
New York Times |
14 Jun 2017 |
| 17,000-year-old find in France's Lascaux cave |
New York Times |
13 Jun 2017 |
| Creative skill |
The Times Concise |
02 Jun 2017 |
| Part of MoMA |
New York Times |
24 May 2017 |
| Charcoal pieces, e.g |
Newsday |
20 May 2017 |
| Tate Modern attractions |
Newsday |
14 May 2017 |
| Cunning |
Thomas Joseph |
06 May 2017 |
| 'The taking and giving of beauty,' per Ansel Adams |
The Chronicle of Higher Education |
05 May 2017 |
| Museum display |
Newsday |
03 May 2017 |
| Gallery showing |
The Washington Post |
02 May 2017 |
| Gallery showing |
LA Times Daily |
02 May 2017 |
| Work on a wall |
Wall Street Journal |
22 Apr 2017 |
| Emerson's "jealous mistress" |
LA Times Daily |
21 Apr 2017 |
| Garfunkel or Linkletter |
The Chronicle of Higher Education |
21 Apr 2017 |
| Emerson's 'jealous mistress' |
The Washington Post |
21 Apr 2017 |
| Creative class |
Wall Street Journal |
19 Apr 2017 |
| Oils, e.g |
LA Times Daily |
06 Apr 2017 |
| Oils, e.g |
The Washington Post |
06 Apr 2017 |
| Works at a museum |
New York Times |
03 Apr 2017 |
| Critic's concern |
Thomas Joseph |
25 Mar 2017 |
| 'The supreme ___ of war is to subdue the enemy without fighting': Sun Tzu |
New York Times |
22 Mar 2017 |
| High school class |
Universal |
22 Mar 2017 |
| Museum piece |
Newsday |
19 Mar 2017 |
| Aesthetic pursuit |
Jonesin |
14 Mar 2017 |
| Trump's 'The ___ of the Deal' |
New York Times |
13 Mar 2017 |
| Museum acquisition |
Universal |
28 Feb 2017 |
| Object of the Isabella Stewart Gardner Museum heist |
The Washington Post |
25 Feb 2017 |
| Museum's offering |
Universal |
12 Feb 2017 |
| 'The only serious thing in the world,' per Oscar Wilde |
New York Times |
09 Feb 2017 |
| Legendary Linkletter |
Universal |
08 Feb 2017 |
| Display at the Getty |
The Washington Post |
04 Feb 2017 |
| Creative works; skill |
The Times Concise |
23 Jan 2017 |
| Clip or cave follower |
The Washington Post |
13 Jan 2017 |
| Word with op or pop |
USA Today |
05 Jan 2017 |
| Curator's canvases |
Jonesin |
03 Jan 2017 |
| Part of MoMA |
|
|
| Dealmaking, some say |
|
|
| 17,000-year-old find in France's Lascaux cave |
|
|
| "___ does not surpass nature, but only brings it to perfection": Cervantes |
|
|
| Museum acquisition |
|
|
| Legendary Linkletter |
|
|
| High school class |
|
|
| Gallery contents |
|
|
| "The supreme ___ of war is to subdue the enemy without fighting": Sun Tzu |
|
|
| Works at a museum |
|
|
| Calligraphy, e.g. |
|
|
| LeRoy Neiman's realm |
|
|
| Lithographs and etchings |
|
|
| Mobiles, stabiles, etc. |
|
|
| Emerson's "jealous mistress" |
|
|
| Gallery filler |
|
|
| Gallery showing |
|
|
| Gallery works |
|
|
| Hotel lobby hangings |
|
|
| Topiary or origami |
|
|
| Trump's "The ___ of the Deal" |
|
|
| Van Gogh Museum display |
|
|
| Warhol's works |
|
|
| With 59-Across, the Chrysler Building's style |
|
|
| Word with op or pop |
|
|
| Works in a salon |
|
|
| Work of ___ (38-Across, e.g.) |
|
|
| Seascapes, statuary et al. |
|
|
| Garfunkel or Linkletter |
|
|
| "The taking and giving of beauty," per Ansel Adams |
|
|
| With 45-Down, some drawing rooms |
|
|
| What we have "in order not to die of the truth," per Nietzsche |
|
|
| Watercolor work |
|
|
| Valuable collection, for some |
|
|
| This puzzle's theme you can get behind |
|
|
| Museum's offering |
|
|
| Trump's "The ___ of the Deal" |
|
|
| Framed stuff |
|
|
| Carney or Garfunkel |
|
|
| "The ___ of the Deal" |
|
|
| "So vast is ___, so narrow human wit": Alexander Pope |
|
|
| "The creation of beauty," per Ralph Waldo Emerson |
|
|
| "The only serious thing in the world," per Oscar Wilde |
|
|
| "The lie that enables us to realize the truth": Picasso |
LA Times Daily |
31 Dec 2016 |
| Museum feature |
Universal |
21 Dec 2016 |
| Busts and such |
LA Times Daily |
11 Dec 2016 |
| It may be framed |
USA Today |
08 Dec 2016 |
| ___ & Literacy (brown category in Trivial Pursuit) |
Jonesin |
29 Nov 2016 |
| Manet's mastery |
The Washington Post |
28 Nov 2016 |
| Gallery display |
The Washington Post |
25 Nov 2016 |
| Exhibit stuff |
The Washington Post |
18 Nov 2016 |
| Louvre fill |
Thomas Joseph |
14 Nov 2016 |
| Dadaist's field |
USA Today |
08 Nov 2016 |
| Klee's forte |
Premier Sunday |
30 Oct 2016 |
| Works at a gallery |
LA Times Daily |
30 Oct 2016 |
| Mobiles, e.g |
Newsday |
27 Oct 2016 |
| Museum exhibit |
Universal |
24 Oct 2016 |
| Wall hanging |
Family Time |
23 Oct 2016 |
| Mobile, for instance |
Newsday |
09 Oct 2016 |
| Gallery contents |
USA Today |
01 Oct 2016 |
| "Anything you can get away with": Marshall McLuhan |
LA Times Daily |
24 Sep 2016 |
| Verb for Juliet |
Newsday |
23 Sep 2016 |
| Gallery collection |
LA Times Daily |
12 Sep 2016 |
| It hangs around museums |
The Washington Post |
12 Sep 2016 |
| 'If ___ reflects life, it does so with special mirrors': Brecht |
Wall Street Journal |
09 Sep 2016 |
| Sculpture or scrimshaw |
The Washington Post |
09 Sep 2016 |
| Works at a museum |
LA Times Daily |
06 Sep 2016 |
| Auction merchandise, sometimes |
Universal |
02 Sep 2016 |
| Exhibition offering |
Wall Street Journal |
31 Aug 2016 |
| Expressive activity |
Wall Street Journal |
26 Aug 2016 |
| Caricatures, e.g |
USA Today |
23 Aug 2016 |
| Part of MOMA |
The Washington Post |
23 Aug 2016 |
| Busts, e.g |
LA Times Daily |
20 Aug 2016 |
| With 60 Down, New Deal-era style |
Newsday |
14 Aug 2016 |
| Tate works |
The Washington Post |
13 Aug 2016 |
| Works at a museum |
The Washington Post |
12 Aug 2016 |
| Knack |
LA Times Daily |
12 Aug 2016 |
| Goya's field |
Premier Sunday |
07 Aug 2016 |
| Installation material |
The Washington Post |
07 Aug 2016 |
| Auction items, often |
Wall Street Journal |
05 Aug 2016 |
| College major |
Newsday |
04 Aug 2016 |
| Museum display |
Universal |
03 Aug 2016 |
| Actor Carney |
Premier Sunday |
24 Jul 2016 |
| Framed works |
USA Today |
09 Jul 2016 |
| Wall adornment |
LA Times Daily |
09 Jul 2016 |
| Contents of 37-Across |
Universal |
07 Jul 2016 |
| Paintings |
New York Times |
05 Jul 2016 |
| Works in a gallery |
The Washington Post |
05 Jul 2016 |
| With 38-Across, 1920s-'30s design style |
New York Times |
04 Jul 2016 |
| 'A lie that makes us realize truth,' per Picasso |
Wall Street Journal |
17 Jun 2016 |
| Tate displays |
Premier Sunday |
12 Jun 2016 |
| Public hanging? |
The Washington Post |
09 Jun 2016 |
| __ nouveau |
LA Times Daily |
07 Jun 2016 |
| Mondrians, say |
The Washington Post |
05 Jun 2016 |
| Portraits and such |
Jonesin |
31 May 2016 |
| Uffizi display |
Universal |
30 May 2016 |
| Finesse |
Newsday |
26 May 2016 |
| Frick collection |
Universal |
25 May 2016 |
| Framework? |
The Washington Post |
18 May 2016 |
| Mobiles, e.g |
Universal |
18 May 2016 |
| Slyness |
New York Times |
08 May 2016 |
| Museum pieces |
LA Times Daily |
06 May 2016 |
| Finger painting, for example |
The Washington Post |
29 Apr 2016 |
| It's for its own sake, per the MGM motto |
The Washington Post |
13 Apr 2016 |
| Curator's concern |
Universal |
10 Apr 2016 |
| Busts and such |
Universal |
08 Apr 2016 |
| Statues and sculptures |
LA Times Daily |
29 Mar 2016 |
| State-of-the-___ |
New York Times |
28 Mar 2016 |
| Busts, e.g |
USA Today |
26 Mar 2016 |
| Mural or statue |
Newsday |
14 Mar 2016 |
| Something off the wall? |
New York Times |
12 Mar 2016 |
| Institute of Musical __ (Juilliard's original name) |
Newsday |
12 Mar 2016 |
| Class with crayons |
USA Today |
08 Mar 2016 |
| Museum attraction |
Universal |
27 Feb 2016 |
| Collection of the rich |
USA Today |
14 Feb 2016 |
| Clip or pop follower |
The Washington Post |
12 Feb 2016 |
| The 'she' in Oscar Wilde's 'She is a veil, rather than a mirror' |
The Chronicle of Higher Education |
12 Feb 2016 |
| Such as painting, music |
The Times Concise |
08 Feb 2016 |
| What you'll find in a museum |
Universal |
05 Feb 2016 |
| '___ washes away from the soul the dust of everyday life': Picasso |
New York Times |
03 Feb 2016 |
| Hermitage holdings |
Wall Street Journal |
27 Jan 2016 |
| Pianist Tatum |
Jonesin |
26 Jan 2016 |
| 'The only way to run away without leaving home,' per Twyla Tharp |
The Washington Post |
26 Jan 2016 |
| Museum focus |
Eugene Sheffer |
22 Jan 2016 |
| Met display |
Eugene Sheffer |
20 Jan 2016 |
| Graphic work |
The Washington Post |
18 Jan 2016 |
| Etchings, for example |
LA Times Daily |
15 Jan 2016 |
| Louvre display |
Eugene Sheffer |
15 Jan 2016 |
| Picasso output |
USA Today |
04 Jan 2016 |
| Paintings |
|
|
| "___ washes away from the soul the dust of everyday life": Picasso |
|
|
| Museum piece |
Eugene Sheffer |
01 Jan 2016 |
| The "she" in Oscar Wilde's "She is a veil, rather than a mirror" |
|
|
| What you'll find in a museum |
|
|
| Frick collection |
|
|
| Museum display |
|
|
| Gallery contents |
|
|
| It may be framed |
|
|
| Met display |
|
|
| Picasso output |
|
|
| "Anything you can get away with": Marshall McLuhan |
|
|
| "The lie that enables us to realize the truth": Picasso |
|
|
| Busts, e.g. |
|
|
| Etchings, for example |
|
|
| Gallery collection |
|
|
| Knack |
|
|
| Museum pieces |
|
|
| Wall adornment |
|
|
| Works at a museum |
|
|
| __ nouveau |
|
|
| Contents of 37-Across |
|
|
| Framed works |
|
|
| Dadaist's field |
|
|
| Museum feature |
|
|
| Collection of the rich |
|
|
| Uffizi display |
|
|
| Caricatures, e.g. |
|
|
| With 38-Across, 1920s-'30s design style |
|
|
| Technique |
Premier Sunday |
20 Dec 2015 |
| It's at the Getty Museum |
USA Today |
16 Dec 2015 |
| MoMA part |
Premier Sunday |
13 Dec 2015 |
| Word with "collection" or "class" |
Universal |
11 Dec 2015 |
| Frame works |
Wall Street Journal |
05 Dec 2015 |
| Frick collection |
Eugene Sheffer |
05 Dec 2015 |
| Met display |
USA Today |
04 Dec 2015 |
| Gallery wares |
Jonesin |
01 Dec 2015 |
| "How Great Thou ___" |
Universal |
30 Nov 2015 |
| Louvre display |
The Washington Post |
30 Nov 2015 |
| Works on walls, perhaps |
Wall Street Journal |
25 Nov 2015 |
| Something famously impossible to define |
New York Times |
25 Nov 2015 |
| Creative output |
LA Times Daily |
25 Nov 2015 |
| Word after clip or pop |
LA Times Daily |
24 Nov 2015 |
| Emerson's 'jealous mistress' |
Wall Street Journal |
20 Nov 2015 |
| 'Not what you see, but what you make others see,' per Degas |
New York Times |
18 Nov 2015 |
| It's often left hanging |
USA Today |
15 Nov 2015 |
| What some collectors collect |
Universal |
12 Nov 2015 |
| Works in an atelier |
The Washington Post |
11 Nov 2015 |
| Gallery exhibition |
USA Today |
25 Oct 2015 |
| Museum stuff |
Eugene Sheffer |
23 Oct 2015 |
| 'A lie that makes us realize truth,' according to Picasso |
Wall Street Journal |
22 Oct 2015 |
| SoHo loft output |
Universal |
20 Oct 2015 |
| Craft |
The Telegraph Quick |
06 Oct 2015 |
| Music's Garfunkel |
Thomas Joseph |
29 Sep 2015 |
| Homers, e.g |
Newsday |
26 Sep 2015 |
| What's central to craft, expertise and mastery |
The Times Cryptic |
15 Sep 2015 |
| It's in five places in this puzzle |
Universal |
13 Sep 2015 |
| Mosaics, for instance |
Newsday |
10 Sep 2015 |
| Paintings and sculptures |
Family Time |
06 Sep 2015 |
| Stuff in a museum |
USA Today |
31 Aug 2015 |
| Life imitator |
USA Today |
29 Aug 2015 |
| It's hung with care |
USA Today |
17 Aug 2015 |
| Manet works |
Premier Sunday |
16 Aug 2015 |
| Gallery hangings |
USA Today |
13 Aug 2015 |
| Statues and such |
USA Today |
15 Jul 2015 |
| Paintings, e.g |
New York Times |
13 Jul 2015 |
| What Emerson called "a jealous mistress" |
USA Today |
12 Jul 2015 |
| ___ studio |
New York Times |
24 Jun 2015 |
| Works in a museum |
LA Times Daily |
24 Jun 2015 |
| Surprising discovery at the Lascaux cave that's 17,000 years old |
New York Times |
17 Jun 2015 |
| It's "not what you see, but what you make others see": Degas |
LA Times Daily |
11 Jun 2015 |
| Drawing class |
Family Time |
07 Jun 2015 |
| Curator's concern |
Wall Street Journal |
01 Jun 2015 |
| Much of what is auctioned at Sotheby's |
New York Times |
27 May 2015 |
| 1998 Tony winner for Best Play |
Wall Street Journal |
26 May 2015 |
| Works in a gallery |
Premier Sunday |
24 May 2015 |
| Gallery display |
Universal |
22 May 2015 |
| Poetry or painting |
LA Times Daily |
21 May 2015 |
| Museum topic |
Thomas Joseph |
18 May 2015 |
| With 58 Across, style of Bangkok's Democracy Monument |
The Chronicle of Higher Education |
15 May 2015 |
| Class for model students? |
New York Times |
15 May 2015 |
| It's often left hanging |
Universal |
08 May 2015 |
| Murals, e.g |
New York Times |
28 Apr 2015 |
| ___ nouveau |
Universal |
06 Apr 2015 |
| Museum showing |
USA Today |
03 Apr 2015 |
| Verb with "thou" |
Universal |
26 Mar 2015 |
| Paintings, e.g |
Universal |
24 Mar 2015 |
| Field for Robert Indiana or Georgia O'Keeffe |
New York Times |
16 Mar 2015 |
| '___ is to console those who are broken by life': Van Gogh |
New York Times |
11 Mar 2015 |
| Craft |
Premier Sunday |
22 Feb 2015 |
| Word with modern or cave |
LA Times Daily |
18 Feb 2015 |
| Eggleton, to friends |
Canadiana |
16 Feb 2015 |
| Fine subject |
Wall Street Journal |
13 Feb 2015 |
| Laplander |
New York Times |
12 Feb 2015 |
| Gallery display |
LA Times Daily |
10 Feb 2015 |
| It may be modern |
Universal |
10 Feb 2015 |
| "How Great Thou ___" |
USA Today |
09 Feb 2015 |
| Eggleton or Meighen, familiarly |
Canadiana |
09 Feb 2015 |
| Paul's singing partner |
USA Today |
07 Feb 2015 |
| Prints, pastels, paintings, etc |
Universal |
01 Feb 2015 |
| Lichtenstein's forte |
Universal |
29 Jan 2015 |
| Eggleton, for one |
Canadiana |
26 Jan 2015 |
| Museum pieces, collectively |
Family Time |
25 Jan 2015 |
| With 27 Down, retro design style |
Newsday |
20 Jan 2015 |
| Sometimes it's a bust |
Universal |
20 Jan 2015 |
| Prints, pastels, etc |
USA Today |
18 Jan 2015 |
| Former "Jeopardy!" host Fleming |
Universal |
17 Jan 2015 |
| Works on the wall? |
USA Today |
16 Jan 2015 |
| Monet's "Water Lilies," e.g |
USA Today |
09 Jan 2015 |
| Poetry or painting |
|
|
| Oils and such |
LA Times Daily |
01 Jan 2015 |
| "An attempt to bring order out of chaos," per Sondheim |
|
|
| "Either plagiarism or revolution," per Gauguin |
|
|
| Gallery collection |
|
|
| Gallery inventory |
|
|
| Good name for a painter |
|
|
| It may get framed and then hung |
|
|
| Knack |
|
|
| Louvre display |
|
|
| Louvre oeuvre |
|
|
| Modern hang-ups? |
|
|
| Museum collection |
|
|
| Museum display |
|
|
| Song or dance |
|
|
| Works in an atelier |
|
|
| Museum contents |
|
|
| Warhol's field |
|
|
| Creative output |
|
|
| Creative technique |
|
|
| Curator's concern |
|
|
| Gallery display |
|
|
| Homers, e.g. |
|
|
| Mosaics, for instance |
|
|
| Mural or statue |
|
|
| Museum display |
|
|
| With 27 Down, retro design style |
|
|
| Creative output |
|
|
| Gallery display |
|
|
| It's "not what you see, but what you make others see": Degas |
|
|
| Museum display |
|
|
| Oils and such |
|
|
| Word after clip or pop |
|
|
| Word with modern or cave |
|
|
| Works in a museum |
|
|
| "The only way to run away without leaving home," according to Twyla Tharp |
|
|
| "Not what you see, but what you make others see," per Degas |
|
|
| "The proper task of life," per Nietzsche |
|
|
| "___ is to console those who are broken by life": Van Gogh |
|
|
| Class for model students? |
|
|
| Field for Robert Indiana or Georgia O'Keeffe |
|
|
| Much of what is auctioned at Sotheby's |
|
|
| Murals, e.g. |
|
|
| Paintings, e.g. |
|
|
| Sketches, e.g. |
|
|
| Something famously impossible to define |
|
|
| Surprising discovery at the Lascaux cave that's 17,000 years old |
|
|
| ___ studio |
|
|
| Craft |
|
|
| Manet works |
|
|
| MoMA part |
|
|
| Technique |
|
|
| Works in a gallery |
|
|
| Latte image |
|
|
| See 8-Down |
|
|
| Busts, e.g. |
|
|
| MoMA's A |
|
|
| "How Great Thou ___" |
|
|
| Former "Jeopardy!" host Fleming |
|
|
| Gallery display |
|
|
| It may be modern |
|
|
| It's in five places in this puzzle |
|
|
| It's often left hanging |
|
|
| Lichtenstein's forte |
|
|
| Paintings, e.g. |
|
|
| Prints, pastels, paintings, etc. |
|
|
| SoHo loft output |
|
|
| Sometimes it's a bust |
|
|
| Verb with "thou" |
|
|
| What some collectors collect |
|
|
| Word with "collection" or "class" |
|
|
| ___ nouveau |
|
|
| With 58 Across, style of Bangkok's Democracy Monument |
|
|
| "How Great Thou ___" |
|
|
| Gallery exhibition |
|
|
| Gallery hangings |
|
|
| It's at the Getty Museum |
|
|
| It's hung with care |
|
|
| It's often left hanging |
|
|
| Life imitator |
|
|
| Monet's "Water Lilies," e.g. |
|
|
| Museum showing |
|
|
| Paul's singing partner |
|
|
| Prints, pastels, etc. |
|
|
| Statues and such |
|
|
| Stuff in a museum |
|
|
| What Emerson called "a jealous mistress" |
|
|
| Works on the wall? |
|
|
| "A lie that makes us realize truth," according to Picasso |
|
|
| Emerson's "jealous mistress" |
|
|
| Fine subject |
|
|
| Frame works |
|
|
| Works on walls, perhaps |
|
|
| Sketches, e.g |
New York Times |
01 Jan 2015 |
| Bookstore section |
Jonesin |
01 Jan 2015 |
| Museum pieces |
|
|
| Painting, for example |
|
|
| Portraits, e.g. |
|
|
| Sculpture, for instance |
|
|
| Skilled workmanship |
|
|
| Busts, e.g. |
|
|
| Deer Tick "___ Isn't Real (City of Sin)" |
|
|
| Creative class |
|
|
| Cultural hang-up? |
|
|
| Exhibition offering |
|
|
| Museum pieces |
|
|
| Singer Garfunkel |
|
|
| Mr. Linkletter |
|
|
| Illustrations |
|
|
| Musée d'Orsay display |
|
|
| Singer Garfunkel |
|
|
| Work in a studio |
|
|
| Creative class |
|
|
| See 46-Across |
|
|
| See 21-Across |
|
|
| Oft-insured items |
|
|
| Murals and mobiles |
|
|
| Word following fine or folk |
|
|
| Cunning |
|
|
| Connoisseur's collection |
|
|
| It's often left hanging |
|
|
| Domain of 38-Across and 8-Down |
|
|
| "The proper task of life," according to Nietzsche |
|
|
| "A lie that makes us realize truth," according to Picasso |
|
|
| Caricatures and such |
|
|
| "The signature of civilizations," per Beverly Sills |
|
|
| "Life doesn't imitate ___, it imitates bad television": Woody Allen |
|
|
| "Wherefore ___ thou . . ." |
|
|
| "Wherefore ___ thou ... " |
|
|
| 23-Across, e.g. |
|
|
| Joe Strummer "Rock ___ and the X-Ray Style" |
|
|
| Paul's partner |
|
|
| Auction offerings |
|
|
| Creative knack |
|
|
| Apt name for a painter |
|
|
| Gallery work |
|
|
| Getty collection |
|
|
| Objet d'__ |
|
|
| What life imitates, so it's said |
|
|
| Works at an exhibit |
|
|
| Works in a museum |
|
|
| Wall hanging |
|
|
| Verb with "thou" |
|
|
| It may be a bust |
|
|
| Hangings seen by millions |
|
|
| Guggenheim procurement |
|
|
| Gallery opening? |
|
|
| Gallery display |
|
|
| Fleming or Garfunkel |
|
|
| Easel display |
|
|
| Curator's concern |
|
|
| Collector's collection |
|
|
| Decorative material |
|
|
| Etchings et al. |
|
|
| "A veil, rather than a mirror," per Oscar Wilde |
|
|
| Garfunkel or Carney |
|
|
| Finesse |
|
|
| Gallery offering |
|
|
| College major |
|
|
| Paintings, sculptures, etc. |
|
|
| It might imitate life |
|
|
| Performance ___ |
|
|
| Paintings and statues |
|
|
| Mobiles, stabiles, etc. |
|
|
| High-school class |
|
|
| Queens of the Stone Age "The Lost ___ of Keeping a Secret" |
|
|
| Barnes Foundation pieces |
|
|
| Smock-wearer's class |
|
|
| Shakespearean verb |
|
|
| Museum stuff |
|
|
| Museum pieces |
|
|
| It may be a bust |
|
|
| Louvre display |
|
|
| Museum piece |
|
|
| Verb with thou, sometimes |
|
|
| Part of MOMA |
|
|
| Met display |
|
|
| Guggenheim procurement |
|
|
| It hangs around in some impressive buildings |
|
|
| Exhibit material |
|
|
| ". . . wherefore ___ thou Romeo?" |
|
|
| Masterpieces in a museum |
|
|
| Works in the Prado |
|
|
| Miro, Miro on the wall? |
|
|
| Museum opening? |
|
|
| Exhibit material |
|
|
| Subject of much patronage |
|
|
| Skill |
|
|
| Gallery display |
|
|
| Linkletter or Garfunkel, e.g. |
|
|
| Auction category |
|
|
| Class during which a kindergartner might finger-paint |
|
|
| Creative works |
|
|
| Frame filler |
|
|
| Gallery display |
|
|
| " ... wherefore ___ thou Romeo?" |
|
|
| "Pop" and "op" follower |
|
|
| Carney of "The Honeymooners" |
|
|
| Curator's hang-ups |
|
|
| Frame works? |
|
|
| Lichtenstein's field |
|
|
| Met murals, e.g. |
|
|
| Picasso piece |
|
|
| Word with "collection" or "critic" |
|
|
| Works in a gallery |
|
|
| Works on walls? |
|
|
| It's often left hanging |
|
|
| Lucky cave find |
|
|
| Museum pieces |
|
|
| Part of MOMA |
|
|
| Public hanging? |
|
|
| Some costly hangings |
|
|
| Tate Modern display |
|
|
| Work in a museum |
|
|
| Works at a museum |
|
|
| <<NO CLUE>> |
|
|
| It might be modern |
|
|
| Museum display |
|
|
| Book illustrations |
|
|
| Charcoals and such |
|
|
| Creative material |
|
|
| Creative skill |
|
|
| Graphic display |
|
|
| Comic actor Carney |
|
|
| Gallery works |
|
|
| Mastery |
|
|
| Prado pieces |
|
|
| Lots at some auctions |
|
|
| Mobiles and murals |
|
|
| Mobiles, for instance |
|
|
| Oils and etchings |
|
|
| Painting or sculpture |
|
|
| Picasso piece |
|
|
| Shakespearean verb |
|
|
| Some exhibited work |
|
|
| Music, e.g. |
|
|
| Paul Simon partner Garfunkel |
|
|
| Rock star's gallery display |
|
|
| Installation, e.g. |
|
|
| Notoriously hard thing to define |
|
|
| Works in a gallery |
|
|
| Work of ___ |
|
|
| Mastery |
|
|
| Gallery feature |
|
|
| Pictures on the wall |
|
|
| Met acquisition |
|
|
| Met display |
|
|
| Columnist Buchwald |
|
|
| He had the job before Alex |
|
|
| It may be fine |
|
|
| Designer's major |
|
|
| Museum display |
|
|
| Public hanging |
|
|
| __ Deco |
|
|
| Oils and pastels |
|
|
| "The lie that enables us to realize the truth," according to Picasso |
|
|
| Creative class |
|
|
| 1998 Tony-winning play |
|
|
| Homers, e.g. |
|
|
| Busts, perhaps |
|
|
| Humanities major |
|
|
| Met acquisition |
|
|
| Met display |
|
|
| Part of MOMA |
|
|
| Public hanging |
|
|
| Renoir output |
|
|
| Works in a gallery |
|
|
| __ Deco |
|
|
| Miro, Miro on the wall? |
|
|
| Met murals, e.g. |
|
|
| Masterpiece in a museum |
|
|
| It's sometimes a bust |
|
|
| Museum fare |
|
|
| It may be framed |
|
|
| See 54-Across |
|
|
| Wares at some fairs |
|
|
| Dalí's output |
|
|
| Monet works |
|
|
| 1980s avant-garde synth band ___ of Noise |
|
|
| Garfunkel |
|
|
| Tom Jones collaborators ___ of Noise |
|
|
| ___ Garfunkel |
|
|
| ___ of Noise |
|
|
| Clip ___ ("Get Your War On" source material) |
|
|
| Creative work |
|
|
| Creative class |
|
|
| Fourth word of the Lord's Prayer |
|
|
| College major |
|
|
| "Fine" subject |
|
|
| "... wherefore ___ thou" |
|
|
| Collector's collection, perhaps |
|
|
| Conversation, for some |
|
|
| Imitator of life, it's said |
|
|
| It might be fine |
|
|
| Mastery in works of taste |
|
|
| Stuff left hanging? |
|
|
| Word with "nouveau" or "deco" |
|
|
| Certain collectibles |
|
|
| "A lie that makes us realize truth": Picasso |
|
|
| "The signature of civilizations": Beverly Sills |
|
|
| Gallery acquisitions |
|
|
| Tisch topic |
|
|
| Constructing crossword puzzles, arguably |
|
|
| Collector's collection, perhaps |
|
|
| Display at the Getty |
|
|
| Handsome prints? |
|
|
| Imitator of life, it's said |
|
|
| Museum acquisitions |
|
|
| Stereotypically easy class |
|
|
| Word with "collection" or "critic" |
|
|
| Skill |
|
|
| Paul's partner in song |
|
|
| Legal hangings? |
|
|
| Getty display |
|
|
| Framed work |
|
|
| Field for 19- or 40-Down |
|
|
| Display on the wall |
|
|
| Creative enterprise |
|
|
| "All __ is but imitation of nature": Seneca |
|
|
| Best Play after "The Last Night of Ballyhoo" |
|
|
| Canniness |
|
|
| Ingenuity |
|
|
| "A work of ___ is a confession": Camus |
|
|
| ". . . wherefore ___ thou . . ." |
|
|
| Skill |
|
|
| Paul's partner in song |
|
|
| Part of MoMA |
|
|
| Legal hangings? |
|
|
| Knack |
|
|
| Getty display |
|
|
| Gallery work |
|
|
| Framed work |
|
|
| Field for 19- or 40-Down |
|
|
| Display on the wall |
|
|
| Creative output |
|
|
| Creative enterprise |
|
|
| "All __ is but imitation of nature": Seneca |
|
|
| "What garlic is to salad, insanity is to ___": Augustus Saint-Gaudens |
|
|
| Works on walls |
|
|
| Studio output |
|
|
| Some auction offerings |
|
|
| Mural or sculpture |
|
|
| Gallery contents |
|
|
| Tate display |
|
|
| Some hang-ups |
|
|
| Oils and such |
|
|
| It may be kinetic or abstract |
|
|
| Finger painting, e.g. |
|
|
| Expressive creation |
|
|
| Display at the Louvre |
|
|
| Matisse's pieces |
|
|
| "But is it ___?" |
|
|
| "Either plagiarism or revolution," per Paul Gauguin |
|
|
| "The only way to run away without leaving home," per Twyla Tharp |
|
|
| "___ hath an enemy called Ignorance": Ben Jonson |
|
|
| Interior decorator's suggestion |
|
|
| Public hanging? |
|
|
| Subject of a hanging without a trial |
|
|
| Class with a studio |
|
|
| Public hangings? |
|
|
| Prints and posters |
|
|
| Op or pop follower |
|
|
| Oils, for instance |
|
|
| Rockers __ Brut |
|
|
| Klee pieces |
|
|
| Exhibition offering |
|
|
| Klee's output |
|
|
| SoHo loft output |
|
|
| Gallery fare |
|
|
| Gallery opening? |
|
|
| Interior decorator's concern |
|
|
| ___ Vandelay (George Costanza pseudonym) |
|
|
| Lost __ |
|
|
| Illustrations |
|
|
| He was Ed to Jackie's Ralph |
|
|
| Museum fare |
|
|
| Drawing room subject |
|
|
| Exhibit found in this puzzle's four longest answers |
|
|
| Oils and such |
|
|
| Interior decorator's concern |
|
|
| Pictures on the wall |
|
|
| Creative endeavor |
|
|
| Atelier occupant's output |
|
|
| Aesthetic objects |
|
|
| Field of 33-Across |
|
|
| Oeuvre in the Louvre |
|
|
| Some busts |
|
|
| Work in a museum |
|
|
| Gallery fare |
|
|
| Gallery opening? |
|
|
| Creative expression |
|
|
| Certain high school class |
|
|
| Dali display, say |
|
|
| Emerson's "jealous mistress" |
|
|
| Louvre piece |
|
|
| Museum display |
|
|
| Pop or abstract, e.g. |
|
|
| Whistler's field |
|
|
| Word with "collection" or "class" |
|
|
| Realm of beauty |
|
|
| Lost __ |
|
|
| Music is a form of it |
|
|
| Gift for a picturesque 26th anniversary? |
|
|
| Creative pursuit |
|
|
| It's been framed! |
|
|
| It may be abstract or kinetic |
|
|
| 1959 Masters winner whose name sounds like a gallery feature |
|
|
| Displays on the wall |
|
|
| Sculpted figure, for example |
|
|
| Music, for many |
|
|
| Display at the Getty |
|
|
| Exhibited things |
|
|
| It's framed and then hung |
|
|
| Paintings and sculptures |
|
|
| ___ deco |
|
|
| Museum fare |
|
|
| Pictures on the wall |
|
|
| Some busts |
|
|
| Work in a museum |
|
|
| Miró on the wall |
|
|
| "The proper task of life," to Nietzsche |
|
|
| Curator's concern |
|
|
| Dilettante's love |
|
|
| Columnist Buchwald |
|
|
| Dali display, say |
|
|
| Portrait or sculpture |
|
|
| Works on the wall |
|
|
| Linkletter who hosted TV's "House Party" |
|
|
| Busts, oils, etc. |
|
|
| Emerson's "jealous mistress" |
|
|
| Gallery display |
|
|
| Miró on the wall |
|
|
| Museum pieces |
|
|
| Pianist Tatum |
|
|
| Some hangings |
|
|
| Exhibited matter |
|
|
| Busts, perhaps |
|
|
| Inexact field |
|
|
| __ Vandelay, recurring fake "Seinfeld" character who turns out to be a real judge in the final episode |
|
|
| Paintings, sculptures and such |
|
|
| It "enables us to find ourselves and lose ourselves at the same time": Merton |
|
|
| ___ Deco |
|
|
| "___ is both the taking and giving of beauty" (Ansel Adams) |
|
|
| Display at the Getty |
|
|
| Fine subject |
|
|
| Met murals, e.g. |
|
|
| Museum offering |
|
|
| Performance ___ |
|
|
| Prado pieces |
|
|
| Sculptures and such |
|
|
| Magazine department |
|
|
| Busts inside a museum? |
|
|
| Paul's harmonizing partner |
|
|
| Paintings and such |
|
|
| Tate treasures |
|
|
| Museum collection |
|
|
| Curator's charges |
|
|
| Guggenheim stuff |
|
|
| Murals and such |
|
|
| Sketchy subject? |
|
|
| Type of collection or class |
|
|
| MOMA offering |
|
|
| Guggenheim stuff |
|
|
| Met filler |
|
|
| The "A" in MoMA |
|
|
| Story accompanier |
|
|
| Connoisseur's collection |
|
|
| "Wherefore ___ thou Romeo?" |
|
|
| "... wherefore ___ thou Romeo?" |
|
|
| What Cheever called "the triumph over chaos" |
|
|
| Getty Museum purchase |
|
|
| Prado display |
|
|
| Accompaniment for copy |
|
|
| Aesthetic expression |
|
|
| Another high school course |
|
|
| __ Vandelay, recurring fake "Seinfeld" character who turns out to be a real judge in the final episode |
|
|
| Getty Museum pieces |
|
|
| Creative talent |
|
|
| Graphics |
|
|
| Guile |
|
|
| Humanities subject |
|
|
| It may be fine or lively |
|
|
| Oils, busts, etc. |
|
|
| "A lie that makes us realize truth," per Picasso |
|
|
| Its definition is often debated |
|
|
| Fine or folk follower |
|
|
| Gallery objects |
|
|
| Some hangings |
|
|
| Pianist Tatum |
|
|
| It "enables us to find ourselves and lose ourselves at the same time": Merton |
|
|
| Dali display, say |
|
|
| Columnist Buchwald |
|
|
| "Making something out of nothing and selling it," per Frank Zappa |
|
|
| Canvases, say |
|
|
| Class with crayons |
|
|
| Michelangelo's field |
|
|
| Monet's forte |
|
|
| Murals, e.g. |
|
|
| Museum display |
|
|
| Sculptures, oils, etc. |
|
|
| "... but is it ___?" |
|
|
| "Our Father, who ___ in heaven . . ." |
|
|
| School department |
|
|
| Skill |
|
|
| Works at the Whitney |
|
|
| Word after clip or pop |
|
|
| Thou follower |
|
|
| Some hangings |
|
|
| Serious hang-ups? |
|
|
| Carney of "The Honeymooners" |
|
|
| Humorist Buchwald |
|
|
| It's appreciated by 31-Across |
|
|
| Knack |
|
|
| Magazine department |
|
|
| Works on the wall? |
|
|
| Klee's work |
|
|
| "...but is it ___?" |
|
|
| It might be framed |
|
|
| Prado works |
|
|
| Piece of Pollock? |
|
|
| 7-Down, e.g. |
|
|
| Skill |
|
|
| With 60-Across, where to view paintings |
|
|
| Creative pursuit |
|
|
| Decorator's concern |
|
|
| Discipline |
|
|
| Gallery hanging |
|
|
| It's often framed |
|
|
| Museum filler |
|
|
| Sculptures, oils, etc. |
|
|
| Louvre lure |
|
|
| Louvre exhibit |
|
|
| "Nature concentrated," per Balzac |
|
|
| Carvings and such |
|
|
| Busts in a museum, e.g. |
|
|
| Play centered around a completely white canvas |
|
|
| "Without ___, the crudeness of reality would make the world unbearable": Shaw |
|
|
| 7-Down, e.g. |
|
|
| Works in a museum |
|
|
| Word with "op" or "pop" |
|
|
| Van Gogh's forte |
|
|
| Some Sotheby's offerings |
|
|
| Jackie's partner, on classic TV |
|
|
| Gallery draw |
|
|
| Cultural hang-ups? |
|
|
| Blakey of jazz |
|
|
| Work in frames |
|
|
| Creative pursuit |
|
|
| It's often framed |
|
|
| Verb in a question from Juliet |
|
|
| Gallery hanging |
|
|
| Decorator's concern |
|
|
| "What Is ___?" (Tolstoy work) |
|
|
| He was Tom to Paul's Jerry |
|
|
| "Paris Street, Rainy Day," e.g. |
|
|
| Discipline |
|
|
| Etchings and such |
|
|
| Diplomacy, e.g. |
|
|
| "Fine" works |
|
|
| Works on the wall? |
|
|
| Word before or after thou |
|
|
| Works on the wall? |
|
|
| Singer Garfunkel |
|
|
| Word before or after thou |
|
|
| Gallery work |
|
|
| Fleming or Shell |
|
|
| Lascaux cave attraction |
|
|
| Life imitator |
|
|
| With 69-Across, lied, for example |
|
|
| Sculptures and paintings, e.g. |
|
|
| Onetime singing partner of Paul |
|
|
| Busts and such |
|
|
| "In ___ economy is always beauty": Henry James |
|
|
| ". . . wherefore ___ thou" |
|
|
| Curator's hang-ups |
|
|
| Elective course |
|
|
| It's been framed! |
|
|
| Miro, Miro on the wall |
|
|
| Modern hangings |
|
|
| Mr. Garfunkel |
|
|
| Output from Lichtenstein |
|
|
| Public hanging |
|
|
| Word with "clip" or "martial" |
|
|
| Works in frames |
|
|
| Upscale office décor |
|
|
| Technique |
|
|
| Public hangings? |
|
|
| Picassos and Pissarros |
|
|
| Picasso output |
|
|
| Oils, say |
|
|
| Works on a wall? |
|
|
| Sketchy subject? |
|
|
| Louvre affair? |
|
|
| Lord's Prayer verb |
|
|
| Focus of some exhibits |
|
|
| Class with models |
|
|
| __ form |
|
|
| Trickery |
|
|
| Statue or portrait |
|
|
| Skill |
|
|
| Painting or scultpure |
|
|
| Knack |
|
|
| Illustrations |
|
|
| Gallery work |
|
|
| "The triumph over chaos," to Cheever |
|
|
| "A mystery," to e.e. cummings |
|
|
| ___ Vandelay (George Costanza pseudonym) |
|
|
| Are, earlier |
|
|
| Paul's singing partner |
|
|
| Tate offering |
|
|
| Some is fine |
|
|
| Renoirs and Rembrandts |
|
|
| Photos, paintings, sculpture, etc. |
|
|
| Paintings and such |
|
|
| Lord's Prayer verb |
|
|
| Met display |
|
|
| Word with film or director |
|
|
| Getty feature |
|
|
| "Either plagiarism or revolution," according to Gauguin |
|
|
| Elementary class with crayons |
|
|
| Emerson's "jealous mistress" |
|
|
| Gallery display |
|
|
| It's often framed |
|
|
| Works in a gallery |
|
|
| Whitney offering |
|
|
| Met offering |
|
|
| Gallery display |
|
|
| Fine or folk follower |
|
|
| Oils, busts, etc. |
|
|
| Gallery exhibits |
|
|
| Gallery display |
|
|
| Actor Carney |
|
|
| Photos, paintings, sculpture, etc. |
|
|
| Paintings and such |
|
|
| Lord's Prayer verb |
|
|
| Garfunkel or Buchwald |
|
|
| Know-how |
|
|
| Murals and such |
|
|
| Work on a wall? |
|
|
| With 53-Across, the Chrysler Building's style |
|
|
| Fine work |
|
|
| Getty Museum purchase |
|
|
| Imitator of life, it's said |
|
|
| "A jealous mistress": Emerson |
|
|
| Expensive auction purchases, often |
|
|
| Garfunkel or Buchwald |
|
|
| Jazz great Blakey, Pepper, or Tatum |
|
|
| The A of MOMA |
|
|
| Stuff left hanging? |
|
|
| Pianist Tatum |
|
|
| Workmanship |
|
|
| Skill |
|
|
| Public hangings? |
|
|
| It could be fine |
|
|
| 1998 Tony-winning play |
|
|
| Carney or Linkletter |
|
|
| Craftsmanship |
|
|
| Dexterity |
|
|
| Photographs, paintings, etc. |
|
|
| Portrait or mural |
|
|
| Singer Garfunkel |
|
|
| Gallery offering |
|
|
| Deco preceder |
|
|
| Curator's charges |
|
|
| Verb in a question from Juliet |
|
|
| Sotheby's domain |
|
|
| It's often left hanging |
|
|
| Finesse |
|
|
| Cultural work |
|
|
| 1998 Tony winner for Best Play |
|
|
| Johns work |
|
|
| Clip or pop follower |
|
|
| Tate works |
|
|
| Met display |
|
|
| Hermitage collection |
|
|
| "What Is ___?" (Tolstoy essay) |
|
|
| "Science made clear": Cocteau |
|
|
| Shamsky of the Miracle Mets |
|
|
| Photographs, paintings, etc. |
|
|
| Gallery filler |
|
|
| Dexterity |
|
|
| Craftsmanship |
|
|
| Andrew Mellon collection |
|
|
| Lord's Prayer verb |
|
|
| Creative endeavor |
|
|
| Creative result |
|
|
| Gallery fare |
|
|
| Hanging display |
|
|
| High school course |
|
|
| Monet's "Water Lilies," e.g. |
|
|
| Museum piece |
|
|
| Verb with thou |
|
|
| Museum piece, often |
|
|
| Type of studio |
|
|
| Type of studio |
|
|
| It might be framed |
|
|
| Illustrative material |
|
|
| Exhibit stuff? |
|
|
| MoMA part |
|
|
| Modern hangings |
|
|
| Carney or Linkletter |
|
|
| 1998 Tony-winning play |
|
|
| Skill |
|
|
| Op or pop follower |
|
|
| Prints and such |
|
|
| Carney of "The Honeymooners" |
|
|
| Class with models |
|
|
| Craft |
|
|
| It may be modern or fine |
|
|
| "All nature is but ___": Pope |
|
|
| Creative output |
|
|
| College major |
|
|
| "Wherefore __ thou Romeo?" |
|
|
| Workmanship |
|
|
| Illustrative material |
|
|
| Oils et al. |
|
|
| MOMA part |
|
|
| Mural, for example |
|
|
| Paul's '60s-'70s singing partner |
|
|
| Oils, busts, etc. |
|
|
| Easel display |
|
|
| Picassos, e.g. |
|
|
| Manets and Monets, e.g. |
|
|
| Know-how |
|
|
| Guggenheim display |
|
|
| Gallery draw |
|
|
| Atelier output |
|
|
| Actor Carney |
|
|
| Interpretive dance, e.g. |
|
|
| Paul's partner, once and again |
|
|
| Verb with thou, perhaps |
|
|
| Matter of aesthetics |
|
|
| It might be framed |
|
|
| "If the ___ is concealed, it succeeds": Ovid |
|
|
| 37-Down display |
|
|
| It's sometimes abstract |
|
|
| Jazz drummer Blakey |
|
|
| "Of all lies, __ is the least untrue": Flaubert |
|
|
| Gallery hangings |
|
|
| "Our chief means of breaking bread with the dead": Auden |
|
|
| Decorative elements |
|
|
| 23A's forte |
|
|
| Paul's '60s-'70s singing partner |
|
|
| Public hangings |
|
|
| Curator's concern |
|
|
| Comical columnist Buchwald |
|
|
| Word with fine or line |
|
|
| Works on walls |
|
|
| With 17 Down, retro style |
|
|
| Line or lost follower |
|
|
| "How Great Thou ___" |
|
|
| It can be kinetic |
|
|
| Actor Carney |
|
|
| __ nouveau |
|
|
| Atelier output |
|
|
| __ Deco |
|
|
| Whistler's field |
|
|
| Know-how |
|
|
| Manets and Monets, e.g. |
|
|
| Picassos, e.g. |
|
|
| Prowess |
|
|
| Workmanship |
|
|
| Aesthete's interest |
|
|
| Class that will teach you how to put things in perspective |
|
|
| If it's a bust, it still qualifies as this |
|
|
| Oil on a wall, for example |
|
|
| Museum acquisitions |
|
|
| Prowess |
|
|
| Technique |
|
|
| Prado display |
|
|
| Pollock's profession |
|
|
| Humorist Buchwald |
|
|
| Focus of Robert Hughes's criticism |
|
|
| Public hanging? |
|
|
| Ravens owner Modell |
|
|
| Pollock's drippings |
|
|
| Trompe l'oeil, e.g. |
|
|
| With 51-Across, name of the NHL trophy for leading points scorer |
|
|
| Word with rock or song |
|
|
| Curator's charges |
|
|
| Public hangings? |
|
|
| Louvre exhibits, collectively |
|
|
| It may be hung |
|
|
| Curator's canvases |
|
|
| Illustrations |
|
|
| Met filler |
|
|
| Met filler |
|
|
| Curator's hang-ups |
|
|
| Gallery objects |
|
|
| It may be fine |
|
|
| ___ nouveau |
|
|
| Verb with thou |
|
|
| Special knack |
|
|
| Jazzman Tatum |
|
|
| It may be hung |
|
|
| Part of MOMA |
|
|
| Jackie's partner on "The Honeymooners" |
|
|
| Actor Carney |
|
|
| The "her" in Beethoven's question "Who comprehends her?" |
|
|
| Some hangings |
|
|
| -- Deco |
|
|
| See 7-Down |
|
|
| Auction offering, maybe |
|
|
| Sculptures and oils |
|
|
| Paintings and such |
|
|
| "Jealous mistress," to Emerson |
|
|
| Know-how |
|
|
| Etchings, paintings, etc. |
|
|
| Craft |
|
|
| Prints, pastels and such |
|
|
| Some public hangings |
|
|
| Columnist Buchwald |
|
|
| 28-Across, e.g. |
|
|
| Exhibit stuff |
|
|
| Sotheby's stock |
|
|
| Word with collection or class |
|
|
| Curator's concern |
|
|
| Best Play the year "The Lion King" won Best Musical |
|
|
| Wall hanging |
|
|
| Gallerygoer's love |
|
|
| Summer camp activity |
|
|
| Word with form or supplies |
|
|
| Special knack |
|
|
| With 18-Down, NHL trophy awarded to the leading scorer |
|
|
| Work in a studio |
|
|
| Workmanship |
|
|
| Prado display |
|
|
| Prints and paintings |
|
|
| TV personality Linkletter |
|
|
| Oils and watercolors |
|
|
| "House Party" host Linkletter |
|
|
| Word with pop or op |
|
|
| Verb with thou |
|
|
| Style of the '20s (with 49-Across) |
|
|
| Serious hang-ups? |
|
|
| Lichtenstein's forte |
|
|
| Creative endeavor |
|
|
| Works on a wall |
|
|
| Works in a gallery |
|
|
| Serious hang-ups? |
|
|
| Public hangings? |
|
|
| Serious hang-ups? |
|
|
| Works on a wall |
|
|
| Collagist's creation, say |
|
|
| Esthetic skill |
|
|
| "Wherefore ___ thou . . ." |
|
|
| Public hangings? |
|
|
| Wall hanging |
|
|
| Pollack pieces |
|
|
| Word with nouveau or deco |
|
|
| It's often left hanging |
|
|
| Paul's ex-singing partner |
|
|
| Paintings, e.g. |
|
|
| Op or Pop follower |
|
|
| One of the humanities |
|
|
| Mobiles and murals |
|
|
| Murals, e.g. |
|
|
| Portrait, for example |
|
|
| "How Great Thou ___" |
|
|
| Gallery collection |
|
|
| Sculptures, e.g. |
|
|
| Carney or Garfunkel |
|
|
| Paul's singing partner |
|
|
| Word with pop or op |
|
|
| Works on walls |
|
|
| Facility |
|
|
| Matisse's pieces |
|
|
| Paintings, etc. |
|
|
| Trickery |
|
|
| Whistler's work |
|
|
| Corots, Monets and such |
|
|
| Decoration |
|
|
| Frick collection |
|
|
| Handsome prints? |
|
|
| Oils and such |
|
|
| Text enhancer |
|
|
| Humorist Buchwald |
|
|
| Monet's mastery |
|
|
| Part of MoMA |
|
|
| With 15 Down, atelier |
|
|
| Comedian Carney |
|
|
| Emerson's "jealous mistress" |
|
|
| Guggenheim display |
|
|
| Hermitage collection |
|
|
| Knack |
|
|
| Museum piece or pieces |
|
|
| Piece by Matisse |
|
|
| Pop and op follower |
|
|
| Word with pop or folk |
|
|
| Work in oil |
|
|
| 1998 Tony-winning play about a painting |
|
|
| Creative effort |
|
|
| Creative result |
|
|
| Film, literature, dance, etc., collectively |
|
|
| Fine endeavor? |
|
|
| Jasper Johns' field |
|
|
| Uffizi offering |
|
|
| Monk on the grid |
|
|
| Public hanging? |
|
|
| Works on walls |
|
|
| Whistler's work |
|
|
| Trickery |
|
|
| Sculptures, e.g. |
|
|
| Paintings, sculpture, etc. |
|
|
| Paintings, etc. |
|
|
| Matisse's pieces |
|
|
| Facility |
|
|
| "The stored honey of the human soul": Theodore Dreiser |
|
|
| Mr. Linkletter |
|
|
| Getty contents |
|
|
| Obsolete form of "to be" |
|
|
| Pastels and such |
|
|
| Word with glass or house |
|
|
| Wall hanging |
|
|
| See 20-Across |
|
|
| Jackie's co-star |
|
|
| Paul's singing partner |
|
|
| Louvre display |
|
|
| Display at the Met |
|
|
| (clue unnecessary) |
|
|
| "Wherefore ___ thou Romeo?" |
|
|
| "... but is it ___?" |
|
|
| Verb in a famous Juliet line |
|
|
| El Prado collection |
|
|
| Statuary and murals |
|
|
| Jackie's costar |
|
|
| Gallery array |
|
|
| Comic Carney |
|
|
| Canvas product |
|
|
| "...but is it __?": Kipling |
|
|
| Mobiles and murals |
|
|
| Hanging at The Met |
|
|
| Carney or Garfunkel |
|
|
| Cunning |
|
|
| "Untitled No. 4," e.g. |
|
|
| Work in oil |
|
|
| Sculpture, e.g. |
|
|
| Sculpture garden pieces |
|
|
| Paintings and such |
|
|
| Miros, Miros on the wall? |
|
|
| Craftsmanship |
|
|
| Craft |
|
|
| Etchings, etc. |
|
|
| Works on the wall |
|
|
| Works in frames |
|
|
| Works in a museum |
|
|
| Word with film or form |
|
|
| Some hang-ups |
|
|
| Graffiti, sometimes |
|
|
| Etchings, etc. |
|
|
| Auction merchandise |
|
|
| "...but is it __?": Kipling |
|
|
| Graffiti, sometimes |
|
|
| Some hang-ups |
|
|
| Word with film or form |
|
|
| "A jealous mistress," according to Emerson |
|
|
| "In ___ economy is always beauty": Henry James |
|
|
| College major |
|
|
| Curator's hang-ups |
|
|
| Gallery display |
|
|
| Guggenheim display |
|
|
| Works in frames |
|
|
| Works on the wall |
|
|
| Singer Garfunkel |
|
|
| Trickery |
|
|
| Word with op or pop |
|
|
| Works in the Prado |
|
|
| Public hanging? |
|
|
| Paul's singing partner |
|
|
| Op or pop |
|
|
| Gallery sight |
|
|
| Earth's core? |
|
|
| Curator's concern |
|
|
| Creative course |
|
|
| Columnist Buchwald |
|
|
| Tony-winning play of 1998 |
|
|
| Creative ability |
|
|
| Mobile, e.g. |
|
|
| Paintings and sculpture |
|
|
| Paintings and sculptures |
|
|
| Guggenheim display |
|
|
| Museum content |
|
|
| College major |
|
|
| Mobiles, e.g. |
|
|
| Met offering |
|
|
| Pop ___ |
|
|
| School subject |
|
|
| -- deco |
|
|
| ___ Deco |
|
|
| Workmanship |
|
|
| Serious hang-ups? |
|
|
| Public hanging |
|
|
| Piece by Matisse |
|
|
| It may be framed |
|
|
| Dance, e.g. |
|
|
| "... but is it ___?" |
|
|
| Op or pop |
|
|
| Carney of "The Honeymooners" |
|
|
| Etchings, etc. |
|
|
| Former "Jeopardy!" host Fleming |
|
|
| Graphics |
|
|
| It may be lost or dying |
|
|
| Superior skill |
|
|
| ___ deco |
|
|
| Matisse's mastery |
|
|
| Auction merchandise |
|
|
| Jazz pianist Tatum |
|
|
| Expertise |
|
|
| Exhibit material |
|
|
| Class with models |
|
|
| "Wherefore ___ thou..." |
|
|
| Part of MoMA |
|
|
| Subject for students at Pratt |
|
|
| "Dogs Playing Poker," supposedly |
|
|
| "... but is it ___?": Kipling |
|
|
| Broadway show about a white canvas |
|
|
| Murals and the like |
|
|
| Guggenheim Museum display |
|
|
| "The ___ of the Deal" (Trump book) |
|
|
| Columnist Buchwald |
|
|
| _____ deco |
|
|
| Collectibles, collectively |
|
|
| Emerson's "jealous mistress" |
|
|
| Buchwald or Garfunkel |
|
|
| Field of 52-Across |
|
|
| Life imitator |
|
|
| Prints, pastels, etc. |
|
|
| Exhibited things |
|
|
| Met display |
|
|
| Verb in the first line of "The Lord's Prayer" |
|
|
| Linkletter or Buchwald |
|
|
| Subjective skill |
|
|
| Pastels, e.g. |
|
|
| Best Play of 1998 |
|
|
| Alex's predecessor |
|
|
| Freer things |
|
|
| Murals and collages |
|
|
| Work on a wall |
|
|
| Fine work |
|
|
| Expertise |
|
|
| Exhibit material |
|
|
| Class with models |
|
|
| "Wherefore ___ thou..." |
|
|
| "... but is it ___?": Kipling |
|
|
| Murals and mobiles |
|
|
| Museum contents |
|
|
| Tatum of jazz |
|
|
| Singer Garfunkel |
|
|
| Show piece |
|
|
| Uffizi display |
|
|
| Redskins great Monk |
|
|
| High school elective |
|
|
| Museum display |
|
|
| Tate collection |
|
|
| "But is it ___?" |
|
|
| Pop or Dada |
|
|
| Special talent |
|
|
| Skill |
|
|
| Pianist Tatum |
|
|
| Painting or sculpture |
|
|
| Louvre affair? |
|
|
| Busts inside a museum |
|
|
| Jackie and Audrey co-star |
|
|
| Work on a wall |
|
|
| "A jealous mistress": Emerson |
|
|
| Illustrations |
|
|
| "Jeopardy!" host Fleming |
|
|
| Hockney output |
|
|
| Expertise |
|
|
| Fine work |
|
|
| Creative ability |
|
|
| Archaic verb form |
|
|
| Politics, some might say |
|
|
| California Democratic Party Chairman Torres |
|
|
| 1998 Tony-winning play about a painting |
|
|
| College major |
|
|
| Stereotypically easy course |
|
|
| Paintings, statues, etc. |
|
|
| Principles |
|
|
| "...wherefore ___ thou..." |
|
|
| Conversation, for some |
|
|
| Frame filler |
|
|
| Louvre display |
|
|
| Skilled technique |
|
|
| Oils and watercolors |
|
|
| Biblical verb |
|
|
| With 31 Across, '20s style |
|
|
| Journalist Buchwald |
|
|
| __ deco |
|
|
| 13-Down's output |
|
|
| 1998's 69-Across |
|
|
| Science alternative |
|
|
| Class in which posers are presented |
|
|
| Cleverness |
|
|
| Focus of some exhibits |
|
|
| Paul's singing partner |
|
|
| Paul's harmonizer |
|
|
| Goyas gift |
|
|
| Some Sotheby's offerings |
|
|
| If it's a bust, it still may qualify as this |
|
|
| Gallery offering |
|
|
| Gallery hangings |
|
|
| Actor Carney |
|
|
| Former "Jeopardy" host Fleming |
|
|
| Paul's partner, for a time |
|
|
| Craft or skill |
|
|
| Impressive skill |
|
|
| Craftsmanship |
|
|
| Painter's work |
|
|
| Sotheby's stock |
|
|
| ___ deco |
|
|
| The A in MOMA |
|
|
| Tate display |
|
|
| Interpretive dance, e.g. |
|
|
| Paintings and prints |
|
|
| Type of works? |
|
|
| Easel display |
|
|
| Emcee Linkletter |
|
|
| Paintings, e.g. |
|
|
| Oils and the like |
|
|
| Watteau work |
|
|
| This puzzle's theme |
|
|
| Rodins, Monets and such |
|
|
| Talent |
|
|
| Museum offering |
|
|
| He played Ed on "The Honeymooners' |
|
|
| With 28 Down TV doctor |
|
|
| Prints and such |
|
|
| Special knack |
|
|
| Louvre display |
|
|
| Honeymooners Carney |
|
|
| Canvasses sometimes |
|
|
| Mr. Garfunkel |
|
|
| Canvases |
|
|
| Branch of learning |
|
|
| Expertise |
|
|
| Trump's "The ____ of the Deal" |
|
|
| Trump's "The __ of the Deal" |
|
|
| Graffiti, to some |
|
|
| 1998 Tony winner |
|
|
| Louvre affair? |
|
|
| Pop or op follower |
|
|
| Cunning |
|
|
| High-school course |
|
|
| 1998 Tony winner |
|
|
| Trump's modest autobiography "The ___ of the Deal" |
|
|
| Louvre fare |
|
|
| Museum content |
|
|
| Cunning |
|
|
| Guggenheim display |
|
|
| High school elective |
|
|
| Paul's partner, once |
|
|
| Pastels and such |
|
|
| See 4-Down |
|
|
| Sculptures and such |
|
|
| It might be modern |
|
|
| This was heisted from the theme words! |
|
|
| Bach's "The ___ of Fugue" |
|
|
| Garfunkel of Simon & Garfunkel |
|
|
| Paul's ex-singing partner |
|
|
| Graffiti, to some |
|
|
| It might be fine |
|
|
| Fine work |
|
|
| "Honeymooners'" "Ed" |
|
|
| "...but is it ___?" |
|
|
| Louvre oeuvre |
|
|
| Kahlo's field |
|
|
| Tunesmith Garfunkel |
|
|
| Louvre item |
|
|
| Louvre contents |
|
|
| Knack |
|
|
| Jackie's costar |
|
|
| Garfunkel |
|
|
| Gallery sight |
|
|
| Blakey on drums |
|
|
| Garfunkel or Linkletter |
|
|
| It comes after wherefore, in a Shakespeare line |
|
|
| Murals and the like |
|
|
| Skill of the masters |
|
|
| Gallery fare |
|
|
| Word with collection or critic |
|
|
| Skill of the masters |
|
|
| Louvre piece |
|
|
| Football great Monk |
|
|
| Creative output? |
|
|
| Creative output |
|
|
| Louvere contents |
|
|
| Murals and the like |
|
|
| Picasso's field |
|
|
| Sculpture, e.g. |
|
|
| See 54 Across^AR |
|
|
| Titian work |
|
|
| Watteau work |
|
|
| Trickery |
|
|
| Part of MOMA |
|
|
| "Wherefore ___ thou Romeo?" |
|
|
| Carney or Buchwald |
|
|
| With 22 Across, Football Hall of Fame tackle |
|
|
| Kind of film director |
|
|
| Pop follower |
|
|
| It's not science |
|
|
| Paintings and such |
|
|
| Music or dance |
|
|
| Guggenheim display |
|
|
| Garfunkel or Carney |
|
|
| 1998 Tony-winning play |
|
|
| "Wherefore __ thou . . ." |
|
|
| Word before song or glass |
|
|
| Paintings |
|
|
| Carney or Linkletter |
|
|
| Mastery |
|
|
| Columnist Buchwald |
|
|
| Expertise |
|
|
| "___ is a jealous mistress": Emerson |
|
|
| Ingenuity |
|
|
| Tatum or Buchwald |
|
|
| Decorative elements |
|
|
| Dexterity |
|
|
| Alex's "Jeopardy!" predecessor |
|
|
| Decorative elements |
|
|
| MOMA offering |
|
|
| Life imitator |
|
|
| Wyeth work |
|
|
| Output from Lichtenstein |
|
|
| Kind of deco |
|
|
| Tate collection |
|
|
| Skill |
|
|
| Garfunkel |
|
|
| Oils and busts and such |
|
|
| Paintings and such |
|
|
| Carney or Buchwald |
|
|
| Pollack piece |
|
|
| Op or pop follower |
|
|
| Museum pieces |
|
|
| Monet's mastery |
|
|
| Op ___ |
|
|
| Met offering |
|
|
| Op or Deco |
|
|
| Craft |
|
|
| Actor Malik |
|
|
| Humorist Buchwald |
|
|
| Pop follower |
|
|
| Word with form or film |
|
|
| Feat of Klee? |
|
|
| Quaker verb |
|
|
| Show piece |
|
|
| Shamsky of the Amazin' Mets |
|
|
| Carney or Linkletter |
|
|
| Corregio creations |
|
|
| Ingenuity |
|
|
| Know-how |
|
|
| Museum contents |
|
|
| Pop follower |
|
|
| Pop and op follower |
|
|
| Monet supply? |
|
|
| Hang it all! |
|
|
| Graffiti, to some |
|
|
| "The lie that enables us to realize the truth": Picasso |
|
|
| Dance or drama |
|
|
| Picasso's mastery |
|
|
| Cleverness |
|
|
| With 52-Down, 20's-30's design |
|
|
| Museum pieces |
|
|
| Canvases |
|
|
| Feat of Klee? |
|
|
| Bach's "The___of the Fugue" |
|
|
| Cartoonist Sansom |
|
|
| Jazz's Pepper or Tatum |
|
|
| "...but is it _____?" |
|
|
| Ancient Iranian |
|
|
| Bosch product |
|
|
| Shell or Buchwald |
|
|
| Titian's work |
|
|
| Verb for thou |
|
|
| Wiles |
|
|
| Paul's singing partner |
|
|
| Mr. Linkletter |
|
|
| School subject |
|
|
| Murals and the like |
|
|
| High school class |
|
|
| Mr. Buchwald |
|
|
| Trump's "The _____ of the Deal" |
|
|
| Uffizi contents |
|
|
| _____ Deco |
|
|
| Camp activity |
|
|
| Bonsai, for one |
|
|
| Garfunkel or Carney |
|
|
| Graphic creation |
|
|
| Record-holding N.F.L. receiver _____Monk |
|
|
| Wile |
|
|
| Graphic work |
|
|
| Arp's field |
|
|
| Legacy of Aaron Douglas |
|
|
| Expertise |
|
|
| With 25 Down, decorative style |
|
|
| William Corcoran endowment |
|
|
| Rubens's métier |
|
|
| Kandinsky's output |
|
|
| Carney |
|
|
| Jujitsu, e.g. |
|
|
| "'Tis all thou ___ . . . ": Pope |
|
|
| Tatum or Garfunkel |
|
|
| Topic of an Emerson essay |
|
|
| The "A" in MOMA |
|
|
| Tate offering |
|
|
| It hangs in the Louvre |
|
|
| Garfunkel |
|
|
| Frick content |
|
|
| Freer offering |
|
|
| Esthetic pursuit |
|
|
| Creative work |
|
|
| Hockey's ___ Ross Trophy |
|
|
| Magritte's field |
|
|
| Corcoran offering |
|
|
| Film or song preceder |
|
|
| Buchwald or Carney |
|
|
| Corcoran offering in Washington, D.C. |
|
|
| Tate display |
|
|
| MOMA offering |
|
|
| MOMA display |
|
|
| Engraving, for one |
|
|
| Garfunkel or Buchwald |
|
|
| Craft's relative |
|
|
| Freer Gallery display |
|
|
| "Robust ___ alone is eternal": Gautier |
|
|
| Carney or Garfunkel |
|
|
| Jazz pianist Tatum |
|
|
| Linkletter |
|
|
| Linkletter or Carney |
|
|
| Music, for one |
|
|
| Ballet, e.g. |
|
|
| Op or Pop |
|
|
| Garfunkel or Linkletter |
|
|
| Berenson's subject |
|
|
| Brushwork? |
|
|
| Freer display |
|
|
| Branch of learning |
|
|
| Buchwald or Garfunkel |
|
|
| Creative outlet |
|
|
| Buchwald or Linkletter |
|
|
| Actor Carney |
|
|
| Sculpture or woodcarving |
|
|
| Tate treasures |
|
|
| Tatum of jazz |
|
|
| "___ is I: Science is We": C. Bernard |
|
|
| ___ Nouveau |
|
|
| An investment, perhaps |
|
|
| Sculpture, e.g. |
|
|
| Pianist Tatum |
|
|
| Composing, e.g. |
|
|
| Helen Frankenthaler's forte |
|
|
| Buchwald |
|
|
| Blakey or Tatum |
|
|
| Music or painting |
|
|
| Chagall's forte |
|
|
| Dramaturgy, for one |
|
|
| Tate treats |
|
|
| Carney or Buchwald |
|
|
| Cinematics, e.g. |
|
|
| Freer display at D.C. |
|
|
| Museum theme |
|
|
| Carney |
|
|
| Skill |
|
|
| Bonsai or origami |
|
|
| Investment, for some |
|
|
| It's longer than life |
|
|
| Cunning or finesse |
|
|
| J. S. Copley's forte |
|
|
| Picasso's forte |
|
|
| Forte of Joseph Turner |
|
|
| Kind of gallery |
|
|
| Garfunkel |
|
|
| School subject |
|
|
| Guggenheim offering |
|
|
| Uffizi display |
|
|
| Skilled execution |
|
|
| Calligraphy, for one |
|
|
| Fauvists' forte |
|
|
| Tennyson's "The Palace of ___" |
|
|
| Gainsborough's forte |
|
|
| Depiction of the beautiful |
|
|
| School class |
|
|
| Canaday's subject |
|
|
| Composing, for one |
|
|
| Dramaturgy is one |
|
|
| Dance is one |
|
|
| Dadaist's interest |
|
|
| Word with op or pop |
|
|
| Carney or Tatum |
|
|
| "___ is long . . . ": Longfellow |
|
|
| Offering at the Uffizi |
|
|
| Newspaper department |
|
|
| Display for some galleries |
|
|
| Origami, e.g. |
|
|
| Uffizi marvels |
|
|
| Esthete's interest |
|
|
| Pitti Palace attraction |
|
|
| Talent |
|
|
| Manly ___ of self-defense |
|
|
| Painting, e.g. |
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| Pop or modern |
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| Cultural field |
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| Mobiles, e.g. |
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| Dance or music, e.g. |
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| Kind of deco |
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| "___ is long . . . " |
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| Finesse |
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| Archaic verb |
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| Study field |
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| Music, e.g. |
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| Creative skill |
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| Wall décor |
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| Sculpture, for one |
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| "The ___ of Loving" |
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| Pastime for Carney |
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| Paintings, sculpture, etc. |
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| Statuary, etc. |
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| Sculpture, etc. |
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| Oils, etc. |
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| One of the humanities |
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| Museum offering |
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| Craftsmanship |
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| Man's nickname |
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| Rembrandts |
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| Painting or sculpture |
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| Carney. |
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| Wherefore ___ thou? |
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| Poetic verb. |
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| Knack. |
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| Creativeness. |
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| Wyeth's work. |
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| Skill. |
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| Poetic verb form. |
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| Poet's verb |
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| Craft. |
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| Carney, for one. |
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| Expression of beauty. |
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| Verb used with "thou." |
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| Dexterity. |
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| School subject. |
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| Type of collector. |
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| Pop, for example. |
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| Op or pop. |
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| Newspaper department. |
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| Warhol's field. |
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| Gallery displays. |
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| Kind of song. |
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| Human ingenuity. |
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| Seeming simplicity. |
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| Cultural pursuit. |
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| College course. |
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| Opera, as a form. |
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| School course. |
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| Magazine department. |
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| Cunning. |
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| Studied action. |
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| Stratagem. |
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| School study. |
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| Museum material. |
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| "___ thou weary?" |
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| Paintings. |
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| High school course. |
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| Department of a newspaper. |
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| Creative work. |
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| Museum specialty. |
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| Department of a magazine or newspaper. |
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| Guile. |
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| Wile. |
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| Work of ___. |
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| Branch of learning. |
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| Creativity. |
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| Study course. |
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| Work of genius. |
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| Picasso's work. |
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| Actor Carney. |
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| Biblical verb. |
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| Louis Tiffany's field. |
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| Diverse field. |
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| Sculpture, for instance. |
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| Branch of knowledge. |
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| Comedian Carney. |
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| Mr. Linkletter. |
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| Trade. |
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| Workman's cunning. |
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| Poetic form of "to be." |
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| Mr. Carney. |
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| Comical Carney. |
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| A $64,000 subject. |
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| Gallery ornament. |
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| Product of creative work. |
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| Principles of a trade. |
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| Museum pieces. |
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| Man's nickname. |
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| Gleason's pal. |
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| Gleason's friend. |
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| Gallery work. |
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| Eisenhower hobby. |
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| Cleverness in contrivance. |
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| Type of song. |
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| TV's Mr. Linkletter. |
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| A trade or its principles |
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| "It's pretty, but is it ___?" |
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| Hobby Winnie and Ike share. |
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| Grandma Moses' field. |
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| Freer's collection. |
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| Duveen's specialty. |
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| "Imitation of nature." |
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| Avocation for busy statesmen. |
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| ___ lovers. |
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| Work of Georgia O'Keeffe. |
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| M. Rouault's field. |
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| Duveen's forte. |
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| Ruskin's theme. |
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| Ingenuity. |
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| 57th Street specialty. |
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| Louvre attraction. |
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| ___ gallery. |
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| Raoul Dufy's forte. |
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| Museum of Modern ___. |
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| Ruskin's field. |
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| Pitcher Houtteman. |
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| Whistler's forte. |
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| Skilled workmanship. |
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| Facility. |
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| Product of skill and taste. |
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| Ruskin's study. |
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| A science. |
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| Surrealism, to surrealists. |
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| Part of "to be." |
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| Duplicity. |
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| Esthetics. |
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| Calling. |
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| Mastery. |
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| Principles of a craft. |
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| Aptitude. |
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| "It's pretty, but is it ___?"—Kipling. |
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| Finesse. |
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| Mastery in works of taste. |
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| Skillful ?? of knowledge. |
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| Etching, e.g. |
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| It might be a bust |
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| It's a bust, maybe |
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| Cartoonist Spiegelman |
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| Mobiles, say |
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| Photos or photorealist paintings |
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| Prints |
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| Skill |
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| Some installations |
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| With 26-Across, type of eraser |
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| With 5-Down, lead singer of Everclear |
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| Busts, e.g. |
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| Auction merchandise, sometimes |
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| "___ is never finished, only abandoned": Leonardo da Vinci |
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| "___ begins with resistance - at the point where resistance is overcome" (Andre Gide) |
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| "A revolt against fate" per André Malraux |
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| "Zen and the ___ of Motorcycle Maintenance" |
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| Class where you'll gain perspective |
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| Dance, e.g. |
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| Hoppers, e.g. |
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